Bath Time

Although the waters at the Roman Baths in Bath were once known for their healing powers (the mythological Prince Bladud and his pigs are said to have been cured of leprosy after wallowing here in 863 BC), the water is now considered unsafe and is strictly off limits. This didn’t bother me in the slightest as I’d much rather be issued with an audio guide with commentary from Dr Alice Roberts than a fluffy white bathrobe.

The Great Bath at Bath

The Great Bath at Bath

The great bath is fed by a hot spring rising here at the rate of 1,170,000 litres a day and a temperature of 46 degrees Celsius. For our ancestors, the warm water gushing from the ground was the work of the gods. Even though I know the cause to be natural rather than supernatural, there was still something magical about watching vapour swirling up out of the bubbling, green-hued water into a torchlit, grey November afternoon. And it seems I’m not the only one the place has that kind of effect on. When the Romans arrived, the local goddess Sulis was already being worshipped here so they named the place after her, and built a new temple honouring both her and her Roman counterpart Minerva alongside the sacred spring.

Alongside the curing, a fair bit of cursing went on. One hundred and thirty prayers inscribed on sheets of lead or pewter were thrown into the spring between 200 and 400 AD. Many invoke the help of Sulis Minerva in seeking justice and revenge for heinous crimes such as the theft of a bathing tunic or gloves. The majority are in vernacular Latin, but one as yet untranslatable text is thought to be the only surviving example of an ancient British language. I quite like the thought that the only physical trace of something spoken thousands of years ago was not left by kings or queens but by one of the plebs like us, most likely complaining that their swimming costume had been nicked.

Curse tablets found in the Sacred Spring at Bath

Curse tablets found in the Sacred Spring at Bath

In 1727, the gilt bronze head of a statue of Sulis Minerva was discovered yet it’s not the face of the goddess which has become the symbol of Roman Bath but the face of the ‘gorgon’ found on the pediment outside her temple. And I have the fridge magnet to prove it. Re-discovered in 1790, and debated ever since, the ‘gorgon’s head’ is surrounded by a sea of symbolism including Tritons, a dolphin head shaped helmet, a star, an owl and two Victories. The ‘gorgon’ interpretation derives from the association of Minerva with Medusa and the supposed presence of a couple of snakes in the beard. Yes this ‘gorgon’ has a beard, which highlights the main problem with this explanation – gorgons are female whereas this is obviously the face of a man. It might be another example of the Romans combining a local god with of their own e.g. a classical gorgon and a British water god or could perhaps even be Neptune or Oceanus.

The so-called gorgon at Bath. I'm not convinced. But then I dropped Latin in the third year, so what do I know?

The so-called gorgon at Bath. I’m not convinced. But then I dropped Latin in the third year, so what do I know?

Other more easily identifiable gods found here include Jupiter and Bacchus whose images once formed part of the great altar where sacrifices were made. Post-sacrifice, the entrails of the animal were consulted by a haruspex (literal translation: gut-gazer) and we know there was one here in Aquae Sulis because the inscription on this stone reads ‘To the goddess Sul, Lucius Marcus, a grateful Haruspex, donated out of his devotion’. This is the only evidence we have of a priest in Britain who practised divination in this way, so it’s something of a rarity.  It has been suggested that whoever carved the stone wasn’t all that competent, originally missing out the ‘O’ from ‘Memor’ and also having to squeeze the letters ‘VSP’ after ‘the abbreviation HAR’. You’d think Lucius might have forseen these problems in the intestines.

The Haruspex Stone at Bath with the sacrificial altar behind

The Haruspex Stone at Bath with the sacrificial altar behind

Hopefully, all this talk of Romans at Bath will have whetted your appetite for something a little closer to home but just as exciting. Not only does our Roman site at Wall have carvings every bit as mysterious as those at Bath, evidence of Christianity in the area prior to St Chad’s arrival (in the form of  bronze bowl with a Chi-Rho symbol which you can see and read about here) and even rumours of our own statue of Minerva said to have been as big as a man, but not a man as it had a bust but also not a woman because it was wearing a soldier’s helmet. Unfortunately, it was used to fix a drain. If it ever existed in the first place that is.

Possibly one of the local gods at Letocetum. Found built into the walls of the Mansio at Wall.

Possibly one of the local gods at Letocetum. Found built into the walls of the Mansio at Wall.

This may represent a skull in a niche a la Roquepertuse or it may be another local god. We just don't know but it is fun speculating.

This may represent a skull in a niche a la Roquepertuse or it may be another local god. We just don’t know but it is fun speculating.

You can access the site of Letocetum all year round during daylight hours and the museum is open 11am to 4pm the last weekend of every month plus Bank Holidays between March and October. This Winter, the Friends of Letocetum have arranged a series of talks at Wall Village Hall starting on Wednesday 9th December with Dr Mike Hodder who will be talking about his own personal experiences as an archaeologist at Wall.

Further details of this and all other upcoming talks and events plus lots of other information about Letocetum can be found here on the website or there is a Facebook page here and you can follow @FndsofLetocetum on Twitter.

For anyone who would like to see the Gorgon’s Head but isn’t able to get to Bath, it will be coming to a lampost in Leomansley shortly along with a wobbly lobster. Details on request. And should anyone pinch it, I’ve got a curse ready.

Advertisements

Landscape Gardening

I’m still not sure whether I live in Leomansley or Leamonsley but what I do know is that this area of Lichfield grew up around a fulling mill opened on Leomansley brook in the late eighteenth century, somewhere around where Leomansley Manor now stands. In the 1830/40s, a row of cottages, once home to many of the mill’s workers, was built along what was then the Walsall Road and the area has continued to develop since then.

Token for Leomansley Mill taken from Lichfield District Council flickr stream.

Token for Leomansley Mill taken from Lichfield District Council flickr stream. Hard to believe this once stood alongside the brook in the woods. The mill may be long gone, but traces of the mill pond can still be seen.

Victorian terraced houses, 1930s semis, new build apartments on the site of the former Carpenter’s Arms pub (boo!), a former lodge at what was once an entrance to the demolished Beacon Place, vicarages old and new, post first world war council houses, a 1960s community hall and housing estate and a much extended Edwardian school – to walk around Leomansley is to take a trip through the story of domestic architecture during the last two hundred years.

christ-church-gardens

There’s also a rather lovely Victorian gothic revival church too, and on the weekend of 4th and 5th July 2015, Christ Church is combining an Open Gardens event with an exploration of the social history of the area.  Organisers, the Friends of Christ Church, have studied census records, deeds and maps, and collected oral histories which they’ve used to produce a guide which will tell you not only about the history of the twelve houses opening up their gardens but also the story of Leomansley’s development from an area of common pasture on the western boundary of Lichfield, to the place it is today.

Christ Church. Photo by David Moore.

Christ Church. Photo by David Moore.

Admission to the gardens is between 2pm and 6pm on both days, and programs will be available from Christ Church itself, plus any of the participating gardens, at £4 each. There will be refreshments at 19 Christchurch Lane, and there will also be plant stalls, for anyone feeling inspired by what they’ve seen. I know I’m biased but Leomansley is as lovely as it is interesting, and I hope that people from not just the immediate area, but also from far-flung and distant places like Boley Park come along and find out more about our bit of Lichfield.

 

Bestowed

I’m in the midst of writing an assignment so just a very quick one that I’m hoping to follow up when I’ve more time. Yesterday //platform.twitter.com/widgets.js” target=”_blank”>on Twitter (yes I know, I’m supposed to be writing an assignment), I noticed that Historic England were doing a survey of post-war housing for the elderly and it reminded me that a while back I’d seen a plaque outside a row of bungalows on Stowe Road so I popped out for a breather and another look.

Lunns

AlmshousesThanks to Aaron on Facebook, who did a bit of research, I now know the basic history of these homes. In 1654, William Lunn left two almshouses for six poor widows in his will. The date of 1667 given on the plaque is when Edward Lunn (presumably his son) conveyed them to a trust. By 1762, there were six two roomed cottages on the site and as the plaque tells us, these were replaced with six new bungalows in 1959. As the plaque doesn’t tell us, because it too dates to 1959, more were added in the 1980s.

Although I’d like to see a photograph of the cottages as they were, what interests me more than the bricks and mortar here are the people. I want to know about William Lunn and the reason for his charity. I want to know about the women who lived there three hundred and fifty years ago and those who have called the almshouses home since.  Lunn’s Homes may not have the ye olde appeal of some of Lichfield’s other almshouses, such as St John’s and Dr Milley’s, but they’ve a story worth telling and, according to Historic England, architecture worth recording.

Edit:

Now I do have more time, I called into Lichfield Record Office to take a look at the accounts book they hold for Lunn’s Charity. It covers the period 1851 to 1883 and begins with a description of the trust as follows:

William Lunn of the City of Lichfield by indenture dated the 26th June 1667 gave to Trustees certain messuages and two acres of land within the city, for six poor, ancient and impotent widows of the City of Lichfield.

As well as recording payments made for various services (coal from Mr Brawn, and later Mr Summerfield, Mr Gorton for repairs and perhaps most intriguingly, a payment of 10 shilling on 27th March 1874 to Mr Duvall for ‘removing a nuisance’), it tells us that the women were each paid an annual sum of 5 shilling each and that they were allowed half a ton of coal five times a year.

Who were these women though? All I have at the moment is a list of names from that thirty year period to work through.  The book starts with a list of those allocated rooms as at 11th October 1851: Sarah Thacker admitted in 1837; Jane Smith in 1843; Catherine Trigg 1845; Mary Bullock (undated); Hannah Cresswell (undated) and notes that one former resident, Elizabeth Walker is dead. Her place is given to Helen Hartwell aged 79. And this is how it continues every year – a list of women and a note of those who have died (or left, for reasons unspecified), and those who take up residence in their place. Sometimes the husband’s name is included, sometimes the name of the street the women were leaving for the almshouse. For example, in 1879, Widow Sarah Harris of Stowe Street/George Lane was appointed inmate in the place of Widow Belfield who quit aged 61 years.

Lunn Board St Chad

There is a memorial to William Lunn Gent. in St Chad’s church describing his gift of two houses in Stowe Street and two acres of land in Longfurlow for the benefit of six poor widows for ever. So, Lunn is buried at St Chad’s and I imagine that many of the poor widows who benefited from his gift are buried there too. Are their graves marked I wonder? Thinking about it, there was no mention of costs for burials and headstones, in the accounts, so presumably this would have been the responsibility of any relatives. Assuming there were some.

Somebody posted an Italian proverb on Twitter earlier that I hadn’t heard before, ‘After the game, the king and the pawn go into the same box‘ and of course, people talk of ‘Death -the great leveller’, although reading about Victorian and Edwardian pauper burials (1), I’m really not convinced. What I am sure of though is that achieving equality when you’re dead is a bit late – a more level playing field beforehand was, and still is, needed.

Note

(1) In March 1904, at the fortnightly meeting of the Lichfield Board of Guardians, the Workhouse Master was asked whether any steps were taken to mark the graves of paupers in St Michael’s Churchyard, and whether Burial Board regulations were in force in Lichfield i.e. numbers placed on the graves and a register kept. The Master replied there was no burial board in Lichfield and was criticised for not carrying out the same regulations for ‘decency’s sake’. One to follow up I think.

Sources:

‘Lichfield: Charities for the poor’, in A History of the County of Stafford: Volume 14, Lichfield, ed. M W Greenslade (London, 1990), pp. 185-194 http://www.british-history.ac.uk/vch/staffs/vol14/pp185-194 [accessed 20 April 2015].

Coley, N.  Lichfield Book of Days, The History Press

The Odd Couple

According to Pevsner, the Church of St Lawrence features some of the most exciting Norman work in the county.  Here be dragons and other fantastical creatures, Saxon and Scandinavian influences, a green man and other ancient faces. There are no wolves though.

Norman arch, Gnosall church

Norman arch, Gnosall church

Carving at Gnosall

Carving at Gnosall

Possible Saxon stonework, Gnosall

Possible Saxon stonework, Gnosall

Legend has it that the last wolf in Staffordshire was killed here in Gnosall in a pit near Brough Hall and that the effigy in the Lady Chapel is that of its slayer, Baron Brough  As much as I wish it were true, there is no evidence for this tale and no reason to believe the Baron ever even existed outside of Gnosall mythology. Several other names have been linked with the alabaster knight over the years, but his true identity remains unknown. Whilst such personal details are lacking, there is physical detail here in abundance, from the broken angel and the helmet at his head, to the lion at his now missing feet and experts have used these features to date the monument to the early fifteenth century. In recent years, the knight has been joined by the church’s only other effigy, taken from the recess on the opposite side of the church known as the Easter Sepulchre.

Two effigies at Gnosall church

Two effigies at Gnosall church

The unknown knight of Gnosall

Defaced – the unknown knight of Gnosall

Gnosall effigy belt

Even less is know about this second effigy, but due to its diminutive stature, it is often described as depicting a child. However, after visiting the church, words that I’d read in a paper by Dr Sophie Oosterwijk in relation to the famous Stanley Boy monument at Elford came back into my mind – “A small-sized tomb may deceive the beholder into thinking that it must commemorate a child, but there may be other explanations”. One of Dr Oosterwijk’s other explanations is that these tiny tombs may represent heart burials. It’s not only the size of the effigy that’s convinced me that someone left their heart here in Gnosall, but also the position of his or her hand over the chest, a feature it has in common with another example thought to be a fourteenth century heart burial at Coberley in Gloucestershire.

Effigy possibly depicting a heart burial at Gnosall

Effigy possibly depicting a heart burial at Gnosall

Despite the abundance of surviving Romanesque architecture here, the church is missing its original font.  However, at nearby Bradley. and Church Eaton there are examples which date to the twelfth century and recall some of the patterns and themes found at Gnosall, perhaps giving us an idea of what the Norman font at St Lawrence may have looked like. Interestingly, the broken Church Eaton font was reinstated at St Editha’s after apparently being found buried in a garden, and so it’s possible that Gnosall’s is out there somewhere, awaiting discovery under someone’s lawn.

One of Gnosall’s most intriguing features can be found outside, high on the south side of the church where stonemasons (we assume) who extended the tower in the mid fifteenth century have carved a large chalice into the stonework alongside the belfry window.

South face of the church tower at Gnosall

South face of the church tower at Gnosall

Chalice carving on Gnosall church tower (photo by Kenneth Ingram)

Chalice carving on Gnosall church tower (photo by Kenneth Ingram)

Less mysterious in origin, but still of interest, are the grooves along the wall, said to have been created by the sharpening of arrows when the grounds were used for archery practice.

Arrow grooves, Gnosall Church

Arrow grooves at Gnosall Church

There is also a rumour that this wall of the church bears the scars of target practice during the Civil War (Rodwell: 223). What we do know for certain about the church of St Lawrence and the civil war is that there are two soldiers buried here. The parish register records that on 1st October 1642, a tall young man known as John Bayne (or Bayle), ‘one of the King’s souldiers’, was buried here and that on 25th March 1643, David James, another of ‘the King’s souldiers’, was laid to rest. The date of the second may be especially significant, coming less than a week after the Battle of Hopton Heath, fought just ten miles away. Amidst the other burials and baptisms of the parish register, an interesting entry appears on an otherwise blank page. At some time between 20th March 1684 and 19th April 1685, an ‘unlettered’ hand has written the following:

Fere god and honour the King
Honor your parents at all times
Wimins tongues air like [unfinished]

Whether the writer of the verse was interrupted or simply ran out of inspiration is unknown, but we are left to draw our own conclusions on the nature of  ‘wimins tongues’. However, when it comes to singing the praises of this incredible building, I shall not be holding mine. See it for yourself on the weekend of 4th/5th July 2015, when the Church of St Lawrence, including the tower, will be open for tours as part of the G-Fest celebrations held in the village each year. Now that is exciting.

Tombstone in the graveyard at the Church of St Lawrence, Gnosall/

Tombstone in the graveyard at the Church of St Lawrence, Gnosall

With thanks to Norman and Sheila Hailes, for their tour and invaluable knowledge of the church, and to Kathleen Ingram and Cllr Kenneth Ingram and the other residents of Gnosall, for showing us around not once, but twice!

References:

Rodwell,W. (2012) The Archaeology of Churches Stroud: Amberley

Oosterwijk, S. (2010)  Deceptive appearances. The presentation of children on medieval tombs Ecclesiology Today

http://www.gnosallweb.org.uk/articles/stlawren.htm

Broken Record

The ‘Heritage at Risk’ register for 2014 was published by English Heritage today. The Register includes grade I and II* listed buildings, grade II listed buildings in London, and all listed places of worship, scheduled monuments, registered parks and gardens, registered battlefields and protected wreck sites assessed as being at risk.

There are eight entries from around the Lichfield District this year, including scheduled monuments at Alrewas, Elford, Fradley and Streethay, the Fazeley and Bonehill conservation area and three buildings, namely, the Angel Croft Hotel on Beacon Street, the Manor House at Hamstall Ridware and the old church tower at St John’s in Shenstone.

Angel Croft Railings

The Angel Croft Hotel has been deemed ‘At Risk’ for many years, but there is now a glimmer of hope that Lichfield’s fallen Angel may be saved. This year’s entry notes that, ‘permission has been granted for conversion to apartments with an agreement to secure the repair of the gates and railings. Work should start in the summer’. Time will tell, but I really do hope that 2014 will be the last time that the Angel Croft appears on the register.

Whilst the plight of the decaying Angel Croft is well known in Lichfield, other local entries on the list may be less familiar, but no less worthy of salvation. Fazeley, according to Lichfield District Council, ‘represents a remarkably intact industrial community of the period 1790-1850. It contains all the principle building types necessary to sustain the community; terraced housing, mills, factories, a church, a chapel, public houses, a school and prestigious detached Georgian houses’. They go on to say that, ‘the waterways, pools and associated structures built by Robert Peel Snr are an important part of Fazeley’s industrial heritage and have archaeological significance. Their significance extends beyond just the immediate locality as they represent one of the most important water power systems dating from the early part of the Industrial Revolution. As a contrast to Fazeley’s industrial heritage, the appraisal tell us that, ‘the historic hamlet of Bonehill…. is an important remnant of the areas agricultural past and despite the developments of the twentieth century still retains a peaceful, rural feel. It has a direct association with the nationally renowned Peel family’.

Yesterday, Gareth Thomas, GIS Manager at Lichfield District Council, uploaded a number of photos from their archive to Flickr. It just so happens that alongside the reminiscence-tastic images of Lichfield shops and businesses, Gareth has uploaded a number of photographs of the conservation area at Fazeley and Bonehill, showing us just what is at risk here, hopefully inspiring us to pay a visit ourselves.

Taken from Lichfield GIS photostream, Flickr

Taken from Lichfield GIS photostream, Flickr

Taken from GIS Lichfield photostream, Flickr

Taken from GIS Lichfield photostream, Flickr

Taken from GIS photostream, Flickr

Taken from GIS Lichfield photostream, Flickr

Taken from GIS Lichfield, Flickr

Taken from GIS Lichfield photostream, Flickr

Also making an appearance in both the Lichfield District Council’s photo collection and on the ‘At Risk’ Register, is the Manor House at Hamstall Ridware. The pictures speak for themselves – the condition of watchtower is so bad that it is deemed at risk of collapse. Perhaps appropriately for something that may not be long for this world, I first caught sight of it from the churchyard of St Michael’s and All Angels and managed to find out a little about its history here.

Taken from GIS Lichfield photostream, Flickr

Taken from GIS Lichfield photostream, Flickr

Taken from GIS Lichfield photostream, Flickr

That’s quite a crack! Taken from GIS Lichfield photostream, Flickr

Hamstall Ridware manor 3 Hamstall Ridware manor and church

Over in Shenstone, it seems there are ongoing discussions between the council, the Parish Council and the church regarding the old tower. At least for the time being, the structure is ‘considered stable’ – let’s hope that they all start singing from the same hymn sheet soon.

Old tower at St John's Shenstone, by Jason Kirkham

Old tower at St John’s Shenstone, by Jason Kirkham

Same time, same places next year folks? Let’s hope not…

 

 

Thanks to Gareth Thomas and Lichfield District Council for the archived photos of Fazeley and Hamstall Ridware, and to Jason Kirkham for his photograph of the old tower of St John’s at Shenstone.

There was a Cruck-ed House

Of all of the buildings open to the public during the 2014 Lichfield Heritage Weekend, Cruck House is perhaps the one that best fits this year’s theme of ‘Hidden Histories’. I understand that this timber framed building, dating back to the fifteenth century, was restored in the 1970s, after it was discovered during the redevelopment of Stowe Street. Now surrounded by a modern housing estate, Cruck House is used by a variety of community groups, including Friends 2 Friends (F2F), an organisation which supports adults with learning difficulties. The F2F have a history group, and one of their projects has been to research the building’s past.

Cruck House, Stowe Street, Lichfield

Cruck House, Stowe Street, Lichfield

Cruck House is open again tomorrow between 11am and 3pm, so go along and have a cup of tea, and find out what F2F have discovered so far. They’re doing a great job, but this is somewhere that doesn’t give up its secrets easily and, with five hundred years worth of history to explore here, they are always looking for any help with their research. If you know anything about the hidden history of Cruck House, please get in touch!

Discussing the history of Cruck House with the Friends to Friends group

Discussing the history of Cruck House with the Friends to Friends group

Timber beams in Cruck House

Some of the original timber beams in Cruck House

For more information on the Friends2Friends group, contact Alison on 07800 576 645 or by emailing friends2friends@btinternet.com

Angel Delight

Inspired by Brownhills Bob’s love of the place and the inclusion of Holy Angels in Simon Jenkins’ list of England’s Thousand Best Churches, I finally visited Hoar Cross last weekend.

SAM_1271

As Nikolaus Pevsner says in his book on Staffordshire buildings,‘The story of Hoar Cross is well known enough’, but it bears repeating here. Work on the red brick, Jacobean style hall, now used as a spa resort, began in 1862, shortly before Hugo Meynell Ingram married Emily Charlotte Wood. The hall was completed in 1871, but in that same year Hugo was killed in a hunting accident. The widowed Emily employed George Frederick Bodley and his partner Thomas Garner to build a church in his memory, in the grounds of the home they had shared. Emily died in 1904, her remains interred near to those of her husband, whose body had been brought here from the parish church at Yoxall, after the dedication of Holy Angels in 1876. It’s said that Emily was never completely satisfied with her creation, but from what I’ve read it’s considered a masterpiece by all those who know their stuff architecturally. For what it’s worth, I think it’s beautiful too.

SAM_1245

If anyone wants to give me a lesson in how to take photos of windows & getting the light right I will be eternally grateful.

The contribution of Lichfield sculptor and stone mason Robert Bridgemans is acknowledge on thois tablet, decorated with a mallet, chisel and other tools.

You wouldn’t be able to tell, because the photo is so bad, but this tablet acknowledges the contribution of Lichfield sculptor and stone mason Robert Bridgeman and is decorated with a mallet, chisel and other tools.

However, as well as this story of love, loss and incredible architecture, I’m also interested in the earlier chapters in Hoar Cross’s history.  According to Horovitz’s Staffordshire place name study, the name of the village was first recorded in 1230 as ‘Horcros’ and is thought to refer to a grey cross or boundary cross. Whether this was a marker for the point where the four wards of Needwood Forest once met, or whether it indicated the extent of land owned by Burton Abbey in these parts, or whether something else entirely is a matter for ongoing speculation. Whatever its purpose, the cross that gave the place its name is long gone and now it is only the name that remains.

SAM_1172

There is another boundary marker on one of the grass verges in the village. It appears on a 1923 Ordnance Survey map as a ‘boundary stone’ and seems to mark a parish boundary – Hoar Cross sits between Yoxall and Newborough.

SAM_1191

I’d also like to know more about the original Hoar Cross Hall – the medieval moated house, known as the ‘Manor of the Cross’. According to Stebbing Shaw’s History of Staffordshire, the hall was destroyed in the 1700s and a farmhouse built on the site. According to the English Heritage Pastscape record, there is little in the form of maps or archaeology to back up this anecedotal evidence but the fact that there is an 18thc farmhouse known as Hoar Cross Old Hall suggests that Shaw was probably correct.

Meynell Ingram Arms

Despite not setting foot in the spa (not really my cup of herbal tea), my trip to Hoar Cross left my mind and spirit feeling indulged. Before leaving, I stopped off to indulge my body too, with a drink at the Meynell Ingrams Arms. Dating back to the seventeenth century, this former farm house became a coaching inn known as the Shoulder of Mutton. The name was changed in the 1860s, around the time of Emily and Hugo’s wedding, and the rebuilding of the Hall. Sadly, there was no sign of Basil, the horse who attracted media attention several years ago for actually walking into the bar and enjoying a pint of pedigree, but after a couple of hours at Hoar Cross, I had anything but a long face as I headed back to Lichfield.

SAM_1188

Sources:

http://www.eaststaffsbc.gov.uk/Planning/PlanningPolicy/LocalPlanEvidenceBase/Conservation%20Area%20Appraisals/Hoar%20Cross.pdf
Midlandspubs.co.uk
‘A Survey and Analysis of the Place-Names of Staffordshire’ by David Horovitz, LL. B https://lichfieldlore.files.wordpress.com/2014/05/397633_vol2.pdf
Lichfield Mercury Archive
http://www.patrickcomerford.com/2014/04/art-for-lent-36-two-portraits-of-emily.html
Staffordshire (A Shell Guide) by Henry Thorold
The Buildings of England – Staffordshire by Nikolaus Pevsner