Shed some light?

I have a huge backlog of things to write about including the dead (an old burial road) and circuses (the greatest show-woman) because when I’m looking for one thing, I inevitably seem to find another. Case in point: Last week I went to see if there was anything left of a burial mound known as Offlow and ended up at Shenstone pondering 19th century funerary art.

Offlow

Offlow: the short answer is there is nothing left.

Shenstone gravestone.jpg

Shenstone: So much going on with this 16 year old woman’s grave. Look at the tiny tools!

To summarise my predicament using a popular meme like the cool kids do:

distracetd meme

I have no idea why my kids are ashamed of me and have me blocked on Twitter.

To show solidarity with my GCSE-sitting son, I have decided to show my working out. Or not working it out, as is probably more accurate as I want to share the things that have me stumped, the dead ends and the ‘not quite sure about this but maybe someone else will be able to help’ type stuff. Whether it’ll lead to quantity over quality or prove that a picture is worth a thousand words remains to be seen.

With that in mind, I have two sheds for your consideration and comments. Firstly, one spotted in a field on a walk around the lanes of Fradley, in the village proper rather than the site of RAF Lichfield. My best guess is that’s where it originated though, with the windows suggestive of an accommodation block. I imagine it was relocated here after the airfield closed in 1958 and re-purposed, although what for I’m not sure.

Fradley shed 2Fradley shed

Tonight’s second shed is this ramshackle affair spotted alongside the disused Walsall to Lichfield railway line in-between Sandfields Pumping Station and Fosseway. My best guess for this one is that it’s a platelayers’ hut where chaps working on the track would store tools and take shelter. As with the rest of the line, it’s slowly being reclaimed by nature which is sadly ironic given that the platelayers were responsible for keeping their stretch in good working order and free of vegetation.

Railway shed 2Railway shed

I’m hoping this new approach will be as effective at reducing the amount of draft blog posts I have as GDPR is at reducing the amount of emails I get. In the meantime however, shedloads of comments on this, or any other subject, are always welcome!

 

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Broken Record

The ‘Heritage at Risk’ register for 2014 was published by English Heritage today. The Register includes grade I and II* listed buildings, grade II listed buildings in London, and all listed places of worship, scheduled monuments, registered parks and gardens, registered battlefields and protected wreck sites assessed as being at risk.

There are eight entries from around the Lichfield District this year, including scheduled monuments at Alrewas, Elford, Fradley and Streethay, the Fazeley and Bonehill conservation area and three buildings, namely, the Angel Croft Hotel on Beacon Street, the Manor House at Hamstall Ridware and the old church tower at St John’s in Shenstone.

Angel Croft Railings

The Angel Croft Hotel has been deemed ‘At Risk’ for many years, but there is now a glimmer of hope that Lichfield’s fallen Angel may be saved. This year’s entry notes that, ‘permission has been granted for conversion to apartments with an agreement to secure the repair of the gates and railings. Work should start in the summer’. Time will tell, but I really do hope that 2014 will be the last time that the Angel Croft appears on the register.

Whilst the plight of the decaying Angel Croft is well known in Lichfield, other local entries on the list may be less familiar, but no less worthy of salvation. Fazeley, according to Lichfield District Council, ‘represents a remarkably intact industrial community of the period 1790-1850. It contains all the principle building types necessary to sustain the community; terraced housing, mills, factories, a church, a chapel, public houses, a school and prestigious detached Georgian houses’. They go on to say that, ‘the waterways, pools and associated structures built by Robert Peel Snr are an important part of Fazeley’s industrial heritage and have archaeological significance. Their significance extends beyond just the immediate locality as they represent one of the most important water power systems dating from the early part of the Industrial Revolution. As a contrast to Fazeley’s industrial heritage, the appraisal tell us that, ‘the historic hamlet of Bonehill…. is an important remnant of the areas agricultural past and despite the developments of the twentieth century still retains a peaceful, rural feel. It has a direct association with the nationally renowned Peel family’.

Yesterday, Gareth Thomas, GIS Manager at Lichfield District Council, uploaded a number of photos from their archive to Flickr. It just so happens that alongside the reminiscence-tastic images of Lichfield shops and businesses, Gareth has uploaded a number of photographs of the conservation area at Fazeley and Bonehill, showing us just what is at risk here, hopefully inspiring us to pay a visit ourselves.

Taken from Lichfield GIS photostream, Flickr

Taken from Lichfield GIS photostream, Flickr

Taken from GIS Lichfield photostream, Flickr

Taken from GIS Lichfield photostream, Flickr

Taken from GIS photostream, Flickr

Taken from GIS Lichfield photostream, Flickr

Taken from GIS Lichfield, Flickr

Taken from GIS Lichfield photostream, Flickr

Also making an appearance in both the Lichfield District Council’s photo collection and on the ‘At Risk’ Register, is the Manor House at Hamstall Ridware. The pictures speak for themselves – the condition of watchtower is so bad that it is deemed at risk of collapse. Perhaps appropriately for something that may not be long for this world, I first caught sight of it from the churchyard of St Michael’s and All Angels and managed to find out a little about its history here.

Taken from GIS Lichfield photostream, Flickr

Taken from GIS Lichfield photostream, Flickr

Taken from GIS Lichfield photostream, Flickr

That’s quite a crack! Taken from GIS Lichfield photostream, Flickr

Hamstall Ridware manor 3 Hamstall Ridware manor and church

Over in Shenstone, it seems there are ongoing discussions between the council, the Parish Council and the church regarding the old tower. At least for the time being, the structure is ‘considered stable’ – let’s hope that they all start singing from the same hymn sheet soon.

Old tower at St John's Shenstone, by Jason Kirkham

Old tower at St John’s Shenstone, by Jason Kirkham

Same time, same places next year folks? Let’s hope not…

 

 

Thanks to Gareth Thomas and Lichfield District Council for the archived photos of Fazeley and Hamstall Ridware, and to Jason Kirkham for his photograph of the old tower of St John’s at Shenstone.

Lamb Carvery

Just a very quick update on the old church tower at Shenstone. I haven’t had chance to get over there since writing the previous posts on the subject and so this morning, I was really grateful to receive a couple of photographs, taken just today, which show the carved stone on the tower really clearly.

In the churchyard at the top of the hill is an old tower...

In the churchyard, at the top of the hill, there is an old tower…

...and in the old tower is a door...

…and in the old tower, there is a door…

The carved stone at the ruined old church at Shenstone

…and next to the door is this carved stone

Although centuries of exposure to the elements has worn away much of the detail, including the lamb (which Mr Foulkes may have been referring to when he reported seeing a stone with a carving of a lamb near to the north door in the late 1890s), it can be identified as the arms of the Merchant Taylors, one of the twelve great Livery Companies of London. It shows a tent (which apparently the Taylors would once have made for jousting tournaments) with an ermine robe either side (another nod to their trade) beneath a lamb within a sun. The lamb represents John the Baptist, the saint whose name was given to both the old church and the more recent church here.  It looks like there is some graffiti carved into the old sandstone blocks of the tower too, which may also be of interest.

St Michael's Church at Lichfield's version of the arms

St Michael’s Church at Lichfield also has a version of the arms on the porch.

There was a story that after the old church was abandoned as it was deemed unsafe, ‘it was found to be so remarkably sound that blasting operations were required to demolish the masonry’. Eventually they succeeded and materials from the old church were sold in 1853/54 for £111 2s 8d.

I am not sure what the connection between the Worshipful Company of Merchant Taylors of the City of London, and parish churches at Shenstone and Lichfield could have been, but I’ll keep looking and if anyone has any ideas or suggestion in the meantime, please share them!

Sources:

Parliamentary Papers, House of Commons and Command, Volume 48

Shine On

Still curious about the old church of St John the Baptist at Shenstone, I did a bit more reading.  Inevitably, I’ve ended up even more curious than I was before.

In 1890, the Lichfield stone mason and sculptor Robert Bridgeman was appointed by a restoration committee to carry out work on the now disappeared pinacles of the tower. (You can see how the old church used to look, pinnacles and all, from drawings of the church in the late eighteenth and early nineteenth century here on Staffordshire Past Track). At the time Mr Foulkes, an architect living at The Ivy House, in Shenstone, wrote to the committee saying,

I am anxious to assure the Restoration Committee how fully I concur in the steps they have taken to preserve the old tower, for both on practical and sentimental ground it should be upheld. The appointment of Mr Bridgeman as restorer is the best your Committee could make, and I know he will thoughtfully and carefully carry out the work entrusted to him.

Mr Foulkes then goes on to give some of the history about the old church saying,

The old tower so called is really not very ancient, except perhaps the internal base; the upper part boasts of no architectural feature of note, the details being of a debased character, and early in the present century there evidently existed a kind of central beacon flag-pole and vane combined. There were also diagonal shaped dials upon the tower. One other feature worthy of mention, and of which I fear no trace remains, was a stone hollowed out in the Romish times, for the reception of holy water. It formerly stood near the north door and over it was carved the figure of a lamb’.

It took a while for the last line to click but eventually I remembered reading about a carved stone in the report of the excavation of the old church in 1973 by Dorothy and Jim Gould of the South Staffordshire Archaeolgical and History Society. A note by Mr J W Whiston, appended to the SAHS report says that there is no reference to the carving in any published description of the church, but that, ‘although mutilated, the carving can be identified as the arms originally granted to the Merchant Taylors Company of London before, in the time of Elizabeth I, the chief of augmentation was added (a lion passant and guardanty). These arms were frequently used by provincial merchant-taylors’. It also mentions that there is a similar carving on the porch of St Michaels in Lichfield. When I checked back on my photos of St Michaels from last spring, I found it (which saved me a trip). Funny how you see things that you don’t realise the significance of at the time, but fit into the big jigsaw eventually.

St Michaels Carving

The carving at St Michaels, Lichfield

Not knowing anything about the Merchant Taylors’ Company I looked them up and found that their patron saint is St John the Baptist. As you can see from the above (sort of), their coat of arms features a pavilion with a mantle either side, with the Holy Lamb within a sun. Perhaps this is the lamb to which Mr Foulkes was referring? You can read more about the company here.

Bottom right hand side of door - is this the carved stone?

Bottom right hand side of door – is this the carved stone? Should have taken a closer look.

According to William Whites Directory of Staffordshire (1834), the annual feast or wake at Shenstone was held on the Sunday after St John the Baptist’s day. Something that’s not mentioned in the archaeology report, or the newspaper report as far as I can see, is the existence of a holy well somewhere in the churchyard. On the saint’s day (or Midsummer if you prefer), St John’s Well  was believed to be a place of healing and of miracles. I can’t see it on any of the old ordnance survey maps but I am hoping it’s still gurgling away and hasn’t dried up. On the subject of St John and Midsummer, I know I probably shouldn’t speculate about the place name Shenstone – bright/beautiful/shining stone or rocky place – but the idea of the sun and bonfires associated with the festivities of St John’s Eve and Midsummer has popped into my head and now I can’t get rid of it. Feel free to shoot me down in flames.

I’ll try and distract myself with another example of pieces of the jigsaw fitting together eventually.  In an account of ‘ Ancient Shenstone’ by Madge Rogers in the Lichfield Mercury in the late 1940s that I was reading, she mentions, ‘A Peat Moor once stretched highly polished stone was erected in the churchyard, and was the tomb of 25 year old Richard Burgess of Leicester who journey by stage coach to the Welsh Harp in Stonnall and there took his own life’.

I don’t really understand the bit about Peat Moor but the story of Richard Burgess sounded familiar.  I remembered that a while ago, when trawling the newspaper archive for something to do with pubs, I had read a story from the Derby Mercury, June 1754, about a young Gentleman who was travelling with the Chester Stage Coach, on his way to Ireland to be married. Apparently, en-route he had received a letter from his fiancee’s Father, telling him not to pursue his journey, as she would not marry him. When the stage coach stopped off at Noon at the Welsh Harp near Lichfield, the young man took his own life. Surely this must be the same tragic young man?

To think up until recently the only place I’d ever visited in Shenstone was the Tesco Express. What a fascinating place it is, and I haven’t even started to read about the prehistoric and Roman connections yet.

Sources

The History and Antiquities of Shenstone in the County of Stafford, Henry Sanders
South Staffordshire Archaeological and Historical Society Transactions XV
Derby Mercury Archive
Lichfield Mercury Archive

The Two Towers

With ‘Heritage at Risk’ the theme of our Lichfield Discovered meeting this month, I was having a flick through the English Heritage At Risk Register to see whether there were any other buildings in the district keeping the Angel Croft Hotel company on the list. It seems much of what’s considered ‘at risk’ in these parts is landscape features – a causewayed enclosure and settlement sites in Fradley/Streethay, a round barrow at Alrewas and a site near Elford, although built heritage does appear in the form of the walls and gate piers at Colton House, the ruined remains of an old manor house at Hamstall Ridware and the old church tower at Shenstone. The inclusion of the latter was of particular interest as I’d been there for a nose just days before.

SAM_9814SAM_9807

When the present church of St John’s was built in the 1850s, the existing church was partly demolished leaving just the tower and the south door visible. Time and nature are doing their best to finish the job the Victorians started – English Heritage have assessed it as being category A meaning that it is at ‘Immediate risk of further rapid deterioration or loss of fabric; no solution agreed’.

SAM_9830

The tower had a wooden ladder but no staircase

The ruins are thought to incorporate Norman features and possibly some Anglo-Saxon masonry.

As you’d expect, many of the village’s old residents are to be found here in their eternal rest. According to William Pitt, at least one of them did not go gentle into that good night – Susannah Southwell of Shenstone was married at the age of 112 (although he doesn’t record how old the groom was nor how long it was until death did them part). The Wikipedia entry for Shenstone says that a 2007 survey found that it was one of the ten worst places in England for finding single women. Perhaps that’s always been the case?

SAM_9818

Local sandstone was used to build both new and old churches and it’s this geology that caused David Horovitz to question whether the place name Shenstone really does mean ‘shining stone’, suggesting that sandstone could “hardly be described as ‘bright, shining or beautiful'” (although anyone who has seen Lichfield Cathedral glowing in the late afternoon sunshine may well disagree). Mr Horovitz has suggested that Shenstone may instead refer to a personal name, or even to stone monuments left behind by the Romans (remains of a villa have been discovered on the outskirts of the village and Wall is only around a mile away).One of the reasons I love the study of place names is that it can give us a glimpse of somewhere as seen through the eyes of people who once lived there hundreds, if not thousands, of years ago. The view can be a little hazy though and sometimes we can only guess at why our ancestors chose the descriptions they did.

Whatever the true meaning may be, it is the ‘shining stone’ theory that inspired Jo Naden’s steel sculpture for the village’s Lammas Land in 2002, described by the invaluable PMSA website as follows, “(The artist) chose to site her sculpture in the Black Brook, which runs through the Lammas Lands used by the Celts as a site for harvest festival rites, in order to make a connection with Celtic culture. Trees, held sacred by the Celts, are reflected in the mirror finish of the stainless steel, while the text inscribed on it* is taken from the words of an unknown ninth-century Irish author. The placing of the stone at a point near where a bridge built on a north-south orientation crosses a stream running from west to east would have been considered sacred by the Celts because it symbolised the meeting of polar opposites”.
*A flock of birds settle ….. the green field re- echoes where there is a brisk bright stream

I stood on the little footbridge watching the swollen Black Brook flow over the sculpture for a few minutes until I was ordered off by a toddler clutching a handful of twigs ready to make an offering of pooh sticks to the water at this sacred spot.

SAM_9843SAM_9842Sources:

A Landscape Survey of the Parish of Shenstone, edited by Richard Totty for The Staffordshire Archaeological and Historical Society Lichfield 2009

A Topographical History of Staffordshire, William Pitt

‘A Survey and Analysis of the Place-Names of Staffordshire’
by David Horovitz, LLB