On the Rocks

Lichfield is about as far as you can get from the sea. Somebody once wrote to the Guardian to say there was a plaque somewhere in the city making this claim but I’ve never seen it. However, being stuck in the middle of the country has not prevented the formation of the Lichfield Lighthouse Company, a group who meet at the Kings Head to sing sea shanties each month. It also didn’t stop me from heading out to look for shells in the city centre yesterday.

I’d read about the London Pavement Geology project over breakfast and I persuaded the other half to put his geology degree to good use and help me find out what Lichfield is made of, other than the ubiquitous sandstone (lovely though it is).

Lichfield Cathedral on Martyrs Plaque, Beacon Park

Lichfield Cathedral on Martyrs Plaque made from sandstone

Our first port of call was another of landlocked Lichfield’s nautical links. Unless you live under a rock, you’ll probably be familiar with Beacon Park’s statue of Captain Smith which someone from Hanley in Stoke on Trent tries to appropriate whenever there’s a new chapter in the Titanic story, due to the mistaken belief that the statue was originally intended for their town. On this occasion, it wasn’t the bronze captain but the plinth he was stood on that interested me. The nearby plaque told me it was Cornish Granite, a material which has also been used at the Titanic Memorial in London and the memorial at Belfast. I wonder whether there are any symbolic reasons for choosing this stone alongside the practical and aesthetic ones?

Captain Smith plaque, Beacon Park

Captain Smith plaque, Beacon Park

Not far from the Captain, King Edward VII stands on a base made of Hopton Wood stone. Get up close and you can see that the limestone is full of fossils including (and please correct me if I’m wrong) corals, crinoids and brachiopods from around 350 million years ago when the area that was to eventually become Derbyshire was under water. Lichfield wasn’t always so far from the sea!  It seems a similar stone has been used for the plinth Samuel Johnson sits on in the Market Square, as that too is full of fossils.

Samuel Johnson statue, Market Square, Lichfield

Samuel Johnson statue, Market Square, Lichfield

Fossils in Dr Johnson statue Fossils in Dr Johnson statue 2Of all the building materials we saw on our travels, the most unusual were to be found in a wall on Christchurch Lane. According to a booklet on the history of Leomansley compiled by the Friends of Christ Church, it was built by Cloggie Smith who used anything suitable that he had in his yard at the time. So, no Portland Stone here, just two Belfast Sinks. Are there any other examples of unorthodox construction materials used in and around the city?

Wall mounted Belfast sink

Wall mounted Belfast sink

You’ve probably guessed that I am way out of my depth when talking about geology, but the point is that after eleven years, seven months and two days here in Lichfield, someone made me look afresh at things so familiar that I barely saw them any more. Sometimes, the most amazing things are right under your nose. Or, in this case, under Dr Johnson’s and King Edward VII’s noses.

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King Edward VII statue Lichfield Fossils in King Edward VII statue Lichfield

 

Landscape Gardening

I’m still not sure whether I live in Leomansley or Leamonsley but what I do know is that this area of Lichfield grew up around a fulling mill opened on Leomansley brook in the late eighteenth century, somewhere around where Leomansley Manor now stands. In the 1830/40s, a row of cottages, once home to many of the mill’s workers, was built along what was then the Walsall Road and the area has continued to develop since then.

Token for Leomansley Mill taken from Lichfield District Council flickr stream.

Token for Leomansley Mill taken from Lichfield District Council flickr stream. Hard to believe this once stood alongside the brook in the woods. The mill may be long gone, but traces of the mill pond can still be seen.

Victorian terraced houses, 1930s semis, new build apartments on the site of the former Carpenter’s Arms pub (boo!), a former lodge at what was once an entrance to the demolished Beacon Place, vicarages old and new, post first world war council houses, a 1960s community hall and housing estate and a much extended Edwardian school – to walk around Leomansley is to take a trip through the story of domestic architecture during the last two hundred years.

christ-church-gardens

There’s also a rather lovely Victorian gothic revival church too, and on the weekend of 4th and 5th July 2015, Christ Church is combining an Open Gardens event with an exploration of the social history of the area.  Organisers, the Friends of Christ Church, have studied census records, deeds and maps, and collected oral histories which they’ve used to produce a guide which will tell you not only about the history of the twelve houses opening up their gardens but also the story of Leomansley’s development from an area of common pasture on the western boundary of Lichfield, to the place it is today.

Christ Church. Photo by David Moore.

Christ Church. Photo by David Moore.

Admission to the gardens is between 2pm and 6pm on both days, and programs will be available from Christ Church itself, plus any of the participating gardens, at £4 each. There will be refreshments at 19 Christchurch Lane, and there will also be plant stalls, for anyone feeling inspired by what they’ve seen. I know I’m biased but Leomansley is as lovely as it is interesting, and I hope that people from not just the immediate area, but also from far-flung and distant places like Boley Park come along and find out more about our bit of Lichfield.

 

Nail Art

As objects are the theme of our Lichfield Discovered meeting on Monday, and I had an hour to myself this afternoon, I decided to head over the border to have a look for the nailers’ stones that I’d been told were in the churchyard at Christ Church, Burntwood. The only reference to them I’ve found is on the Christ Church website which says,

‘Visitors will firstly note the magnificent west doors, believed to be original. The huge nails which have been used are indicative of Burntwood having been a nail making area due to the plentiful supply of charcoal and iron ore. (Nail making was very much a cottage industry, and should the visitor wish to, enter the churchyard, will find there several nail stones of different sizes).’

I wasn’t exactly sure what I was looking for and had to rely on the, ‘I’ll know it when I see it’ method, which I’ve used many times before, with varying degrees of success. On this occasion it worked out just fine.

Nailer's Stone. Burntwood

Nailer's Stone. Burntwood 2

Group of nailers' stones

The above arrangement of stones reminds me of a stone circle of sorts

Group of nailers' stones, Burntwood 2

I wonder whether the nails in this door really were created locally?

I wonder whether the nails in this door really were made locally?

The first church in Burntwood. Apparently before it opened in 1820, the area was part of the St Michael's, Lichfield parish meaning a very long walk on a Sunday morning!

Before Christ Church opened in 1820, the area was part of the parish of St Michael’s, Lichfield, meaning a very long walk on a Sunday morning!

I couldn’t come all the way to Burntwood and not visit the world’s smallest park (is this official now?) with its trees known as Faith, Hope and Charity and so I had a five minute sit down and a bit of ‘We need a bigger park’ banter with a passerby, before heading to the Star Inn.

World's Smallest Park...or is it?

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According to the Burntwood Heritage Trail booklet, the Star Inn was where local nailers would take their products to be be weighed and paid for by ‘middle men’, who would also replenish their supplies of iron. The pub building itself is relatively modern but, according to the booklet, there has been a drinking establishment on this site since at least 1600 when a local blacksmith was licensed to keep an alehouse here, becoming known as the Star Inn by 1790.

The Star Inn. Burntwood

Unintentionally shining Star

Star Inn Plaque

One of the blue plaques on the Burntwood Heritage Trail, created by the fantastically named ‘Keepers of the Archive’.

Back home, I had a look for other examples of nailers’ stones and found that the Black Country History website has a photograph here of one very similar which they describe as a nail making anvil from St Peter’s Rd, Darby End.

I notice that there appear to be initials or names on the stones and it would be fantastic to know more about their provenance. The heritage booklet says that making nails was a way for a farming family to make extra money, and that the work was often carried out by the woman of the household.

I know these are Burntwood objects, rather than Lichfield ones but they tell the story of everyday folk trying to make a living for themselves and their families in an industry that’s now long gone, and that’s got to be worth sharing.

(For more on the nailmaking industry, please see the ‘Nailed it’ post on Brownhills Bob’s Brownhills Blog here)

Christ Church Open Day

I’m delighted to see that Christ Church, Lichfield is having an open day. On Saturday 9th March, between 10am and 4pm, visitors will be able to explore this wonderful Victorian building and its architectural features, including the lovely chancel ceiling, original Minton tiles and stained glass, with the help of local history enthusiasts.

The grounds are lovely at this time of year, and a quick check of my photographs from last March tells me that the wild garlic and daffodils should be coming through in the lane alongside the church, so don’t forget to have a look outside as well as in.  There are also the intriguing stone heads around the inside and outside the building, that I wrote about back in January and am still none the wiser about (although I did see some very similar ones at St Michael’s –  a church that Thomas Johnson the architect was involved in restoring a few years before her started work here at Christ Church)!

The open day is being run by the new Friends of Christ Church, a group whose aim is to support the preservation, conservation and enhancement of the church and its grounds. I understand that anyone who becomes a member will receive an annual newsletter with details of upcoming events and projects to get involved in, and also a copy of the excellent book “Christchurch: A History”, which tells the story of the church, and the associated buildings in the area such as Christ Church School, The Old Vicarage, the cottage in the churchyard and Beacon Place (gone but not without a trace….).

More information can be found at www.christchurch-lichfield.org.uk/events or by email friendsofccl@btinternet.com.

 

All The Small Things

Tomorrow’s walk will be different to today’s walk….I have walked past Christ Church three times in as many weeks. Each time was different. The first was a bleak midwinter day, the biting cold numbing my fingers as I photographed the stone heads around the church. By the second, the scene had changed and even the heads were capped in snow.

Whether somehow related to the snow or whether the weather was incidental, numbers on the reverse of head stones that I had previously passed were suddenly evident where I had never noticed them before. Interesting that only two of the several stones I could see from the road had numbers on them, so I’m guessing that they were some sort of reference mark made by the stone mason? Naturally, we look to the inscriptions on the front of headstones for information, but can the back sometimes tell us something as well?

On my third visit yesterday, the snow has been replaced by snowdrops and crocuses, the first flowers of the year and a welcome reminder after last week’s mini ice age that spring is on its way (I know we’re not out of the winter woods yet, but I’m optimistic!).

Another weather and season influenced walk was up Abnalls Lane on a wet and windy day.  Tipping my head back to gather my hair in a pony tail to stop it blowing in my eyes caused me to look up and notice fungi growing half way up a tree up high on a bank that may have been missed on a calm and sunny wander. On the same walk the bareness of winter revealed some sort of post in a hedge (I have no idea what this is – some sort of utilities marker?)

The light was poor and Abnalls Lane was more of a stream in places. With the amount of cars passing, it was only a matter of time before I ended up soaked or worse….so I changed my route. Later, outside the derelict Sandyway Farm, a pub known as the Royal Oak for the first half of the nineteenth century, one of the bricks had worked its way free of the decaying shell and lay under brambles alongside the Walsall Rd. I understand that the stamp ‘NCB Hamstead’ means it came from brickworks at the Hamstead Colliery in Birmingham, when it was part of the National Coal Board.

Is the C the wrong way around or is it me?

Admittedly, all of the above are small things but whether small things help you to build a bigger picture of the place you live in or even if they just make you smile, I think they’re worth noticing.

 

The Faces of Christ Church

I visited Christ Church on a numbingly cold and drab January afternoon, and I welcomed the sight of the first crocuses and snowdrops beginning to appear amongst the stones erected as memorials to those who once lived here in the parish.

Of course, memorials can take different forms and the blue clock on the tower is dedicated to the memory of Sarah Worthington, of Maple Hayes, presented by her husband Albert Octavius of the Burton brewing company. (1)

As you look at the clock face, on either side of the window below you notice faces of a different kind. On closer inspection, more of these faces can be found all around the church and I’ve included a few examples below.

The church was built in 1847, in the Gothic Revival style, and so I imagine the architect Thomas Johnson (of Davidson House, St John St) included them to emulate the corbel heads found in medieval churches (a good example and explanation can be seen on the V&A website here). This might explain what they are, and why they are here, but not necessarily who they are! (3)

As I stood thinking about the faces, someone arrived to unlock the church door. I explained that I’d been looking at the stone heads and was told that there are more inside and was invited in. Apparently, despite being the subject of much debate, no-one quite knows the story behind them. One suggestion that has been put forward is that they are benefactors of the church. Two of the chest tombs behind the church belong to Ellen Jane Hinckley, the founder of the church and her husband Richard Hinckley, who gave land in the corner of their Beacon Place estate on which to build the church. (2) Are they also here at their church in stone form? Is the portrait of Thomas Johnson the architect or the church’s first curate Thomas Alfred Bangham to be found here? Do they depict people who used to live in the parish or are these heads in fact creations from inside the head of the stonemason?!

Inside, the majority of corbel heads are in and around the chancel, which has the most stunning ceiling. Although this is not my first time inside the church, it is the first time I’ve been in and concentrated solely on the building, rather than what is going on within it.  It hardly needs pointing out that my photos do it no justice whatsoever, but they do at least give some idea of the beautiful murals painted for the church’s Golden Jubilee by Pre-Raphaelite artist John Dixon Batten in 1897,  and the reredos, designed by GF Bodley and carved by the sculptors Bridgemans of Lichfield (a discovery of both a new word and a new example of Bridgemans’ work for me!). (4)

I made my way back outside down the aisle, laid with original Minton tiles (5).

The day should have seemed even greyer after the rich, warm colours of the church but with a copy of the newly purchased and brilliantly researched ‘History of Christ Church’ in my bag and the knowledge that such treasures were to be found on my doorstep, it actually felt considerably brighter.

Edit 10/02/2013 Good news! There’s a sign outside Christ Church saying that there is an open day on 9th March – a great opportunity to go and visit this lovely church for yourself. By then, there may even be some spring flowers and wild garlic in the lane alongside which is a nice thought, when you’re sat typing with snow drifting down outside the window. More details here

Notes

(1) The clock was made by John Smith and Sons of Derby a business founded in 1856. Whilst the firm is still going strong, the original headquarters were at risk as these photos and a news story from February 2011 (read here) show. I’d be interested to know what the current state of the building is? Also, it’s not only the clock we have the county of Derbyshire to thank for! The church’s Millenium Gates were created by David Tucker, a master Blacksmith from Derbyshire, that I wrote about here

(2) The third of the Hinckley Tombs belongs to Mrs Hinckley’s son from her second marriage to Hugh Dyke Acland. Mrs Hinckley’s daughters from her first marriage, are the girls depicted in Francis Chantrey’s sculpture known as ‘The Sleeping Children’ as Lichfield Cathedral

Hinckley Tombs, Christ Church

(3) In a 1950s edition of Life magazine, I came across an interesting article about Southwell Minster in Nottinghamshire. Their old carved heads had eroded badly, and so a stonemason was enlisted to restore them. However, rather than recreate the old images, he carved new images of people associated with the church at that time including a bell ringer, the clock winder, a dog whipper (actually in charge of the grounds) and the youngest member of the church choir (who would now be in his 60s). You can read the article and see the photos here 

(4) I believe that Bodley and Bridgemans also collaborated on the South African war monument in Duncombe Place, York, which is where the sailor on the wall of Lichfield Registry Office was originally destined for but was apparently rejected  for being too warlike.

(5) Between 1844 and 1858, Herbert Minton donated tiles to 46 Staffordshire churches & parsonages. More information can be found in the report ‘Minton Tiles in the Churches of Staffordshire’, carried out by Lynn Pearson for the Tiles and Architectural Ceramics Society. At the time of the report in the year 2000, amongst others, there were also examples at St Mary’s, Aldridge, possibly St James’ Church, Brownhills (though covered) and St Peter’s, Elford. An online version of the report with photographs can be found here 

Sources:

Christ Church Lichfield – A History by Ursula Frances Turner, later revisions Robert Hazel, Julia Baker and Larry Ridout

Public Sculpture of Staffordshire and the Black Country – George Thomas Noszlopy and Fiona Waterhouse

ExpLore – Lanes Around Leomansley

Walking is such a pleasure. I get seriously itchy feet if deprived for more than a day or so, and my spirits are always lifted after a good old trudge around. Exploring somewhere for the first time is fantastic, but I also love to walk around the places I know. It somehow gives me feel warm and comfortable feeling, like a favourite old cardigan. And of course, sometimes there can be surprises up even the most familiar sleeve…

I’ve decided I’d like to try and put some walks here so that people can get out and explore for themselves.  One of my best loved walks is of course around Leomansley, so here’s a walk around the lanes that I hope you’ll enjoy doing for yourself. Naturally,  I always encourage straying from the path to investigate something that looks interesting. Getting lost is part of the fun!

Lanes Around Leomansley

The map below gives a rough idea of the route, which is about 2km (depending on how many diversions you take!). I’ve marked some of the points that I think are of interest but of course there may be other things…….Below the map is a PDF with a written version of the route, giving information about each of the points. Hope you enjoy it, I’d like to hear how you get on!

Lanes Around Leomansley walk

 

Water Tower

I pass by the Clock Tower at the Friary several times a week and in the stillness of the night, I can hear it chime, slightly out of synch with the Christ Church clock. According to Annette Rubery‘s wonderful new book, Lichfield Now and Then, the tower was built in 1863 to mark the 300th anniversary of the Conduit Lands Trust. When the new Friary Rd was built, the tower was moved to its present location. The Wikipedia entry here has some photos of it in its original site at the junction of Bird St and Bore St. The Staffordshire Past Track has some great photos of the tower being dismantled, including one of the bells being lowered down (is this one of those I can hear?).

The tower was originally built over the site of an ancient water conduit, known as the Crucifix conduit. Some say this name came from a crucifix on top, others say it derived from its location near to The Friary.  Back in 1865*, someone called CW wrote in to ‘Notes and Queries’ (a publication resembling a magazine, but actually sold under the description of ‘A Medium of Inter-Communication for Literary Men, General Readers, etc’!) on the subject:

At Lichfield is a structure The Crucifix Conduit. It has been rebuilt within the last few years and now there is a plain cross on the top. Did the original have a crucifix? Was the crucifix, if any, destroyed in Puritan times?  Is there any drawing of the building in existence And if so where can see it?

A literary man (or possibly a general reader!) replied as follows:

The old conduit at the Friary gate does not appear have been surmounted with a crucifix but was so called from Crucifix being the name of the locality on which stood. Gregorius Stoneing receiver of the rents of possessions of the Fryars Minors of Lichfield after dissolution thereof in his account in the court of Augmentation answered, and so was charged with, and the rent of a certain water course within the compass circuit of the late house of Fryars aforesaid running from Poolefurlonge to Lichfield street, viz to a certain called the Crucifix demised to John Weston at the will of the Lord. (Shaw’s Staffordshire  1820) A engraving of the old crucifix conduit will be found A Short Account of the Ancient and Modern State Lichfield 1819′.

A quick search on the invaluable googlebooks finds that book, and as promised, a drawing of the crucifix as it looked in 1819.

I had thought that the Crucifix conduit was no longer in use by the time the clock tower was built – the listed building description says it was built over the ‘redundant conduit’. However, different accounts suggest that the conduit was still used as a public water supply beyond this date.  The County History says ‘In 1863 it (the Crucifix Conduit) was adapted as the base of a clock tower designed in a Romanesque style by Joseph Potter the younger, but the conduit continued in use’.This probably explains why what look like drinking fountains can be seen built into this section of the tower!

I find this next bit confusing and am happy to be corrected! What I understand is that the water came from a spring at Aldershaw. In 1301, Henry Bellfounder granted the Fransican monks the right to built a conduit head over the spring, and to pipe the water to the Friary. He apparently did this for motives of charity and for the sake of his and his ancestors’ souls’ health.  Although it seems the water was supposed to be for the friars’ use only, a public conduit was built outside the Friary gates.  When the Friary was dissolved in the mid-16th century, I understand that the Conduit Lands Trust took over the responsibility for maintaining the water supply to Lichfield when the spring at Aldershaw was granted to the ‘Burgesses, Citizens and Commonalty’ of the City of Lichfield. A fountain marks the approximate site of the original public conduit (and of course the later clock tower) near to  the library and record office. Although the water is no longer suitable for drinking, it serves as a symbolic reminder of the water supply that was once available here.

A stone conduit head dating back to 1811 can apparently still be found over the spring at Aldershaw. The spring was known as Foulwell which may not sound like the most appealing place to get water from, but as BrownhillsBob explained to me that the name ‘foul’ is most likely to mean ‘obstructed’ in this context. What’s also interesting is that the well seems to have an alternative name – Donniwell, which crops up in some transcriptions of old documents (dating back to the 4th year of the reign of Edward VI which would be 1551. I think.) that Thomas Harwood made in 1806.

Funnily enough, searching to find an interpretation of the name lead me back to another edition of ‘Notes and Queries’, (this earlier issue from 1855 was described as a ‘Medium of Inter-Communication between for Literary Men AND Artists, Antiquaries, Genealogists etc). Someone else had questioned the meaning of Donniwell in relation to the spring near Lichdfield, and received the following answer from WLN of Bath.

The word Donni or Donny in Donniwell is merely the old Keltic (sic) vocable don (otherwise on or an), water,  with the diminutive y, and signifies the little stream or brook The word is still retained in the name of the rivers Don in Yorkshire, the Don which falls into the sea at Aberdeen, another Don in county Antrim Ireland, and in the Don in Russia. Hence, too, the Keltic name for the Danube, Donau, latinised Danubius. There is also Donnyland in Essex and the two rivers Oney in Salop and Herts, Honiton or Onyton in Devon and the Uny in Cornwall are all different forms of the same root.

I might offer many other illustrations but will refer only to the same word in the primitive nomenclature of Palestine the Dan which, with the later Hebrew prefix Jor (river) we now by a double pleonasm, call the river Jordan

So there’s one idea…..anyone have any other ideas of where this name may have derived from?

Coincidentally yet appropriately, today is the 8th December, the Feast of the Conception of St. Mary, the date on which two wardens were appointed each year to keep the conduits and watercourses of Lichfield’s water supply in repair.  I also like the idea that the chiming bells of the Clock Tower provide an appropriate, yet coincidental link to the name and occupation of the man who originally gave the spring at Aldershaw which fed the conduit (at least I think its coincidental….). I also find it interesting that back in the mid 19th century people were asking similar questions to the ones that I’m asking today. It seems it’s not just me that is fascinated by the idea of springs, wells, conduits and water in general!

Now I know a little more about where the water came from, and where it went to, I’d like to know more the inbetween part i.e. the actual route of the water. That also goes for the conduit between Pipe Hill and the Cathedral Close too. As it looks unlikely that I’ll be able to go looking for the conduit head at Aldershaw (it’s on private property) as I did with the one at at Pipe Hill, I shall have to concentrate instead on tracking down the archaeology reports and journals that reveal more about our medieval conduits,  at Lichfield Record Office.

Also, for more about the Friary, Gareth Thomas has added some original deeds and plans to his blog All About Lichfield.

*This date is a little strange as the Clock Tower was built in 1863. Perhaps the letter was written before this time and not published until 1865.

Edit: 10/12/12

I’ve just been reading part of The History of the South Staffordshire Water Works Company. This suggests that a public water conduit of some description, pre-dates the granting of the spring at Aldershaw to the Friars. Apparently, there was a public conduit in the early 13thc, and there are also references in the Cathedral records to a Conduit St, and a conduit in the high street.  Are these are connected to the Crucifix conduit or separate? And where did this water come from?

The document also gives some really interesting information on the pipes themselves. It says that originally wooden pipes were used (bored tree trunks). It refers to a document from 1707, that says the pipes ‘being made of alder had become rotten, leaky and in decay and accordingly taken up and replaced by leaden pipes’. Interesting that the pipes were made of Alder, and the water came from Aldershaw. It also says that in 1801, the Conduit Lands Trust replaced a small gauge lead conduit from Aldershaw with a larger diameter cast iron main, which enabled a greater volume of water to be carried to the City. It also gives this interesting information on what happened when supply started to exceed demand.

By 1821, Aldershaw was proving to be inadequate source and a scheme was devised to supplement the spring’s supply, by collecting the surface water from Tunstalls Pool, the Moggs and other pools and diverting water into the common conduits. When the situation worsened in the mid 1850’s, the trustees acquired the Trunkfield Mill and Reservoir and a pumping engine was installed to increase the supply. In 1868 the supply of Aldershaw yielded 15,000 gallons a day. Trunkfield supplied 160,000 gallons a day, all of which was pumped to Crucifix Conduit. Water was provided to fifty seven public pumps, thirteen standpipes and public taps, thirty fire hydrants and three hundred and forty three houses.

The document isn’t too specific about their sources, so having to take what they say on face value for now. Lots more reading to do I think….Luckily for me, local historian Clive Roberts is going to send me some information he has on the Conduit Lands Trust!

Sources:

Lichfield Then and Now Annette Rubery

A short account of the city and close of Lichfield by Thomas George Lomax, John Chappel Woodhouse, William Newling

The History & Antiquities of the City of Lichfield by Thomas Harwood (1806)

Lichfield: Public services’, A History of the County of Stafford: Volume 14: Lichfield(1990), pp. 95-109

Water Technology in the Middle Ages: Cities, Monasteries, and Waterworks after the Roman Empire by Roberta J Magnusson

Walsall Road, Lichfield, Staffordshire. A Report on an Archaeological Evaluation
Marches Archaeology Lyonshall : Marches Archaeology, 2000, 18pp, figs, tabs
Work undertaken by: Marches Archaeology

History of the city and cathedral of Lichfield by John Jackson

Notes and Queries 12th Volume 1855

Notes and Queries 3rd Series Volume 8, 1865

Tree following: Midsummer

Even though it feels as if it’s barely begun, it’s already Midsummer and the lane next to the church is now green and leafy. Lovely as it is, this is probably the least interesting time for the lane.

Fallen elderflowers and other petals lie scattered like confetti from nearby Christ Church.

Alongside them are Midsummer reminders of Autumn.

The holes in the tree still hold a fascination for me. I put my hand in and took some more photos of the inside, with irrational thoughts of the Boca della Verita at the back of my mind.

 

 

Tree following: April Showers…..

It was time to revisit my tree on the lane next to Christ Church.  

Now I think it might be a horse chestnut.

I managed to dodge the heavy showers that had been falling on and off all day, but there was plenty of evidence of them. The air had an earthy smell and looking back towards Christchurch Lane from the A51 end, I noticed the reflection of the trees in the puddles. I’m not sure whether the onion ring crisp spillage adds to or detracts from the scene.

Soggy Crisps

I bet that the crisps were an after school snack, dropped in the haste to get get home before the next shower, but I wonder how these flowers came to be here? From the nearby churchyard perhaps?

Discarded flowers

 It was good to see some new arrivals along the lane.

 

 

This reminds me. How are those bluebells in Leomansley Woods coming along?