Men of Letters

Following on from this morning’s post,  here is Gareth’s latest fantastic Lichfield Grammar School related discovery. The plaque suggests that this stonework was originally the front doorway to the Grammar School, and was redressed and placed around this doorway in the Lichfield District Council Offices in 1928. The second photograph shows our oldest dated graffiti yet – RS 1681.

As I’ve been reading about the school’s history, I’ve been jotting down the names of students. Here they are so far, in no particular order….some you may recognise, others you may not.

Isaac Hawkins Browne    Gregory King
John Wyatt                       George Smallridge
David Garrick                    Andrew Corbet
Thomas Newton                John Willes
Robert James                   Thomas Parker
Elias Ashmole                   William Talbot
Edmund Hector                William Noel
John Taylor                       Richard Lloyd
Charles Congreve            Samuel Johnson
William Wollaston            Theophilius Buckeridge Lowe
Francis Chetwynd            Joseph Addison
John Rowley                     Henry Salt
John Colson                     Joseph Simpson
Walter Bagot                    Charles Bagot
William Bailye

Do any of them match any of the initials found throughout the school? I have to say it’s the ones we don’t know much about that interest me the most. We all know what Mr Ashmole did, but what about those whose achievements weren’t documented to the same extent? What about those poor boys (with or without their brooms)? How did attending the school affect the course of their lives?

Image taken from Wikimedia Commons. Murray, John. Johnsoniana, 1835. reprinted Lane, Margaret (1975), Samuel Johnson & his World, p. 26. New York: Harpers & Row Publishers

Several engravings and drawing of the Grammar School exist showing the schoolroom building at various stages in its history. Gareth is working on something that will hopefully show the changes in the schoolroom since it was first erected on the site in around 1577. This should hopefully help us to discover the original location of the stone doorway too.  The schoolroom was rebuilt in c.1848, and as the dates on the stonework are before and after this date, I wonder whether materials from the old schoolroom of 1577 were reused in carrying out this restoration work?  I’m hoping to go to the Lichfield Record Office as the National Archives catalogue is showing that the hold lots of information on this, and on may other aspects of the school’s history, dating back to around the same time RS carved his initials into the old doorway.

Finally (for now!), I’ve suggested that the doors of the Old Grammar School, both inside and out, be opened to the public for the Lichfield Heritage Weekend.

Update:

I found a book ‘The Wanderings of a Pen and Pencil’ from 1846, in which the authors FP Palmer and A Crowquill desribe their visit to Lichfield. Illustrations of the exterior and interior of the Grammar School are included in the book. Interestingly, their visit was at the time the school was in decline, and there were no pupils attending (see previous post).  They record that the upper schoolroom was tenanted by lumber, and the lower school room unoccupied, and asked ‘How is it the Lichfield Grammar School is so shamefully deserted and what amount is received by the master for doing nothing?’. In the interior, the stool that they have sketched was apparently the ‘flogging-horse’. The exterior drawing confuses me further – hopefully Gareth will be able to shed more light on how this compares with the other views of the schoolroom we have!.

Through Doors and Windows

Anyone who has read the Written into Lichfield History and Making your Mark posts, will know that Gareth Thomas has been exploring the Lichfield District Council Offices, and very kindly sharing the photos here on the blog.  Gareth’s doing this because the buildings were once the Lichfield Grammar School, and generations of pupils, dating back to the 17th century have left their mark on the building.

I like the idea that even those who didn’t go as far as leaving their name still left a trace on the worn bannisters and floorboards

Last time, we got as far as the attic doors, where someone called ‘Watkins’, carved his name in February 1714/5. Amongst the other graffiti is the name WHoll, and Roger Jones (Ziksby) put forward the idea that this could be William Holl the engraver, which certainly warrants further investigation.  Back then the doors would have lead to the dormitories for the boarders at the school. Now thanks to Gareth, we get to have a look at what lies behind those potentially three hundred year old doors……

Who was WL Holden? Does C1 refer to his form or something else?

To us these are old timber beams, yet once they were brand new, and according to the Lichfield Conduit Lands archives, mostly donated in the form of individual trees!

 

Gareth has taken some photographs from the windows. Not only does this give an interesting perspective of the city, it also invites you to imagine what the boys would have seen looking out of this window, what’s changed and what’s the same.

In around 1813, Cowperthwaite Smith was appointed headmaster of the school with a salary of £170 per annum, plus rent free accomodation. At the time, board, lodging & tuition was being charged at between 40 and 50 guineas a year for each scholar. In 1828, according to the ‘Account of Public Charities in England and Wales’, there were 18 boarders, and around 30-40 students in total. It goes on to say that the only scholars receiving their education free at the school were the ‘six children of poor men born within the City’ (who were also given money for books, and slightly more curiously brooms, when the school was first endowed).  The people of Lichfield were apparently not happy that their grammar school was no longer a free school.

By then end of Cowperthwaite Smith’s time as headmaster in the 1840s, no boys at all were coming to the school. Allegations were made in the Wolverhampton Chronicle that Lichfield Grammar School had been closed for six years due to the the misconduct of the master. It claimed he was violent towards the children in his care, and that ‘his treatment of two boys on two separate subjected his modes of punishment to investigation before the magistrates one boy having subsequently confined to his bed under surgical advice for a fortnight’.

The newpaper was sued for its attempt to injure Cowperthwaite’s ‘good name fame and credit’ as a schoolmaster and clergyman, and ‘to bring him into public scandal infamy and disgrace’ and ‘to hold him up to public contumely scorn and ridicule and to vex harass oppress impoverish and wholly ruin (him)’. I’m trying to piece together exactly what happened as best I can from the court cases that followed these allegations and I’m hoping that the original newspaper reports might be available. There’s also a vast amount of information at Lichfield Record Office that I’d like to look through, and I think it’s best not to speculate or comment further until I have read more on this.

I am also working on another post as Gareth’s investigations took him to another part of the building, where he made another fantastic discovery, including our oldest dated graffiti yet.  In the meantime, Gareth, do you fancy going up that ladder in the attic?

(1) A Concise Description of the Endowed Grammar Schools of England and Wales, Nicholas Carlise 1818

http://hansard.millbanksystems.com/commons/1846/apr/01/the-lichfield-grammar-school

http://www.lichfielddc.gov.uk/info/100004/council_and_democracy/588/history_of_district_council_house/2

http://eagle.cch.kcl.ac.uk:8080/cce/persons/DisplayPerson.jsp?PersonID=19831

Paths that Cross

On my way to pick up some tickets from the Garrick the other day, I passed Lichfield Library. I couldn’t resist popping in to have a quick peek at the local history section to see if they had any more information on the history on the grammar school,  following on from Gareth’s graffiti photographs.  (They did. A whole book in fact and I’ve updated the post accordingly!). So inevitably, my quick peek turned into two hours.

There was an added bonus to the visit too. Anyone who read my Cross City and Cross County posts will know that I was hoping there would be an ancient cross somewhere in Lichfield. Well, I finally found one! Actually that’s a fib. What I found is a photograph in a book of archaeologists finding one. A decorated cross shaft was discovered built into the foundations of the north wall of the nave of Lichfield Cathedral. It’s thought to be Saxon or Saxo-Norman, and could be a surviving remnant of the earlier church on the site. I wish I could share a photograph here, but all I can do is tell you that it’s on plate 1 in the ‘South Staffordshire Archaeological and Historical Society Transactions 1980-1981 Volume XXII’ book, on the local history shelves at the library!.

I have a confession to make. Generally, I’ve thought that places like the Cathedral are so well known, there’s nothing much left to say. Yet, now I recognise that this was wrong. Whether it’s the magnificent discovery of the Lichfield Angel in 2003, the downright curious tale of a live frog embedded in one of the stones used to repair the Cathedral during the restoration*, or rolls of parchment, beer and tobacco found in the gilded balls on the top of the central spire – the Cathedral, as everywhere, is made of stories, as much as it is made of stone. There are those we know well, those we don’t, and those that haven’t even been told yet.  We need to make sure we  are listening, just as Gareth was when he discovered and questioned that graffiti on the walls of the old Grammar school.

*I’m not making this up…..but someone else may well have been!

Making a Mark

I’m pleased to say that Gareth took my hint and very kindly sent me some great photographs of the names carved into old attic doors in the Lichfield District Council office building on St John St.  This part of the offices was the old school master’s house, dating back to 1682 and it’s thought the attic was used as a dormitory for boarders at the old grammar school.

One of the carvings seems to be dated 1715. If authentic, it means this door could be around 300 years old, possibly even original? Also there’s a rogue 4 nearby, is this a red herring or something to do with the change in calendar from Julian to Gregorian? This is about as clear as a pint of guinness to me, so any possible explanation would be welcomed!

 

Gareth also sent me a scan of a document – an indenture outlining the sale of the school buildings to Theophilus Basil Percy Levett, dated Christmas Eve 1902, and signed by the the school’s governors. It’s a fascinating document, there’s  information about the buildings,  the stamp of the Birmingham Paper and Parchment dealer, the seals and the names and professions of the governors (some are more familiar than others -Lonsdale, Cooper, Lomax, Ashmall and Andrews stand out for me).   In 1903 the school moved from St John St to Upper St John’s St, merging with Kingshill Secondary Modern in 1971, to form the present King Edward VI school.

Gareth’s photographs and images from the last few days are fascinating, but what I also think is interesting is the contrast.  The inky signatures of men who have already made their way in the world, compared with names carved into wood and brick by children starting out in life.  And what about the contrast of these grammar school boys with their peers?  Whilst they may or may not have gone on to fulfil their potential (see the comments on my previous post)  what of those other children that never even had the opportunity?

A couple of weeks ago, I was listening to the headteachers of our state secondary schools here in Lichfield talk about what their school offered to students. Each of them spoke convincingly about their commitment to giving each and every pupil in their care, regardless of ability or background, the opportunity to reach their potential in life.   I found myself moved by their words. This is how it should be.

Edit 2/11/2012

Yesterday at Lichfield Library, I found the book ‘A Short History of Lichfield Grammar School’ written by Percy Laithwaite in 1925. Mr Laithwaite refers to the graffiti, and I suspect this may be the original source (I found out about the existence of the graffiti on a Lichfield District Council document. I also saw it referenced in Howard Clayton’s Coaching City, whilst I was at the library yesterday). As well as providing small biographies of some of the masters and pupils of the school,  Mr Laithwaite also mentions that wooden panelling from the old school room is now used in the council offices, and that an oak desk from the school room was used as a locker at Bridgeman’s on Quonians Lane. If we could track that down, that’d be something!

Footnote:

 

I’m really pleased to say that Gareth Thomas who provided me with the graffiti photos and the indenture document, as well as other information over the last weeks has started his own blog http://lichfield.keepsblogging.com/ Gareth’s going to be sharing the things he discovers and judging by the gems he’s come up with so far, it’s going to a great read for those of us who enjoy exploring the history of this old city.

Sources:

http://www.lichfielddc.gov.uk/info/100004/council_and_democracy/588/history_of_district_council_house/2

http://www.kingedwardvi-lichfield.staffs.sch.uk/history.html

https://wiki.leeds.ac.uk/index.php/HIST2530_Building_the_literate_nation:_the_historical_debate#Literacy_Rates

Written into Lichfield history

One of my recent posts mentioned layers of history and people leaving their mark on a building.  A literal example of this is graffiti and Gareth Thomas has sent me some great photos of names he found carved into the brickwork of the Lichfield District Council offices, formerly the Lichfield Grammar School.

Lichfield District Council Building, formerly Lichfield Grammar School

The graffiti is on the above building, the old school room, rebuilt in the mid 1800s by architect Thomas Johnson, after falling into a ruinous state. Staffordshire Past Track has an engraving from 1833, taken from a similar position. It shows the previous incarnation of the school room (which stood from 1577 to 1849), as seen from the school-yard (now the grassed area).

In 1818, a book on the endowed grammar schools of England and Wales listed the former pupils of the grammar school ‘who in the splendour their names, have reflected honour upon Lichfield’.

The elegant Addison, Elias Ashmole the Philosopher Chemist and Antiquary and Founder of the valuable Musem called after his name at Oxford, Gregory King an heraldic and commercial writer, George Smallridge Bishop of Bristol, Thomas Newton Bishop of Bristol, Lord Chief Justice Willes, Lord Chief Baron Parker, Mr Justice Noel, Lord Chief Justice Wilmot, Sir Richard Lloyd Baron of the Exchequer, Robert James MD well known for his Medical Dictionary and as the inventor of the Fever Powder, Isaac Hawkins Browne an ingenious and elegant Poet, David Garrick the unrivalled actor, Samuel Johnson LL D

The names of Johnson, Ashmole and Garrick and the others are written into the history books, but what about those names on the old school wall? Can we find the stories of Buckton, Brawn, Beckwith and others written in censuses, newspaper reports and other archives? There’s an inspector’s report from 1869 that tells us something about how they’d have spent their time at school (when not carving their name into brickwork, of course!). What became of them when they left?

Brownhills Bob did a wonderful post on a similar theme called the Persistence of Memory, with some equally wonderful comments from people who recognised the names. You don’t have to look to hard to find bridges, walls, trees, and other surfaces marked with names and initials. Why do people seem compelled to add their names to the fabric of a place? I may even have written the odd ‘Kate was here’ myself, on a school desk or two in my time. And does that ‘….was here’ explain why we do it? Knowing that few of us will ever get a statue or our own museum, is this a way of letting people know that once, we were here?

A huge thank you to Gareth for the photographs and drawing my attention to this. Also, Gareth, if you’re reading this, I’ve read that there’s more graffiti to be found, carved into  the wooden attic doors of the schoolmaster’s house next door. It’d be great to see some photos…..hint, hint!

Sources

A Concise Description of the Endowed Grammar Schools of England and Wales, Nicholas Carlise 1818

Lichfield City Conservation Area Document

 

Perspexive

This morning, I went to the dentist. On the way home I walked past St John’s Hospital. With the sun shining, I decided to pop in and allow myself a minute to take in the lovely surroundings and the calm atmosphere of the courtyard, before heading home.

At least that was my intention. As hospitable as ever, someone in the courtyard came over to welcome me, and invited me to have a look around the chapel. Never one to miss an opportunity to be nosey, I accepted with thanks.

I have been inside once before, but that visit was dominated by standing in front of John Piper’s striking window for the first time. Today, I sat on a back pew and found myself next to a perspex window. A small sticker told me that the stonework behind the perspex was the remains of a Norman water stoup. I understand that this would once have held holy water, into which those entering the chapel could dip their fingers, and make the sign of the cross. Apparently, many stoups were destroyed during the reformation but whether this is the case here I don’t know.  As the chapel has been heavily restored and altered over the centuries, I was delighted to have this chance encounter with part of the older fabric of the chapel.   Unfortunately, as I hadn’t anticipated there being many photo opportunities on a trip to the dentists, I had no camera. But the chapel is open everyday until 5pm, so if you can, please do go and take a look yourself, and enjoy visiting the grounds at the same time.

This got me thinking about the idea of layers of history within buildings, where generations of people have made their mark, by accident or by design, for better or for worse.  When I was volunteering at the Guildhall, someone told me I could get out using the back door. It was news to me that there was a back door but once through it, I made the even more exciting  discovery that  traces of the older building were still in evidence. For example, whilst the main hall and the front of the Guildhall date to the mid 1800s, the blocked window on the photograph below is thought to date to the 16thc.

Brickwork from different periods, round the back of the Guildhall

Another couple of examples to be going on with – what’s gone on here with all the different brickwork at this house in The Close?

This metal….thing, above a restaurant on Bird St, must have played some role in the building’s past, but what?

And when we’re talking about layers of history, should we also consider the present and future of buildings? I notice that the Angel Croft hotel has unsurprisingly made its annual appearance on the English Heritage At Risk register…..

Sources

http://www.british-history.ac.uk/report.aspx?compid=37864

Appeal of Bells

If you heard the bells of St Michael’s ringing out late yesterday afternoon, you were listening to the launch of a restoration fund for the bells, which are in need of essential maintenance work.

According to the churchwardens accounts, the bells have been rung in the past to mark important national occasions, and in the bell tower there are plaques commemorating some of these and more locally significant events.

The blue plaque commemorates the ringing of bells for the marriage of Charles & Diana; the brown one commemorates a farewell peal for the retirement of Prebendary P Howard in 1947

Bell Tower steps

After negotiating the narrow and windy staircase back down into the church, I had a look around the rest of this lovely building. According to the listed building description, although the church is thought to be 13th century in origin (with a 14thc tower), much of the building dates back to the restoration of 1842/3 by Thomas Johnson. However, the church history booklet (a snip at £1.50!) suggests that whilst the church had undoubtedly needed some restoration work at this time, much of this work was  unnecessary and things of historic interest may have been lost. The booklet goes on to say that some of the restoration work was undone at the end of the 19thc.

Royal coat of arms(1711) above the chancel

The royal arms, as seen above the chancel, are from 1711, and replaced an earlier version. I’ve read that after the reformation, anglican churches were encouraged to display the royal coat of arms somewhere prominent, reminding people that the monarch was also head of the Church of England. The custom of displaying the royal arms continued until Victorian times, but these days can be found in only around 15% of churches. You can read more about the Churches Conservation Trust’s guide to Royal Arms in English churches here.

Having previously read that the Marquis of Donegal had erected a spacious family mausoleum near the chancel, I have to confess I was a little disappointed to find no trace at all of the ostentatious Chichesters of Fisherwick Hall. However, the church booklet explained that the rabbit infested mausoleum had been replaced by a stokehold in the 1842/3 restoration, and the bones buried elsewhere. Seems like none of Donegal’s buildings were destined to last long….

The chap below fared a little better than Donegal. Whilst his bones also ended up elsewhere, his effigy survived the ‘restoration’ and is behind a bench in the chancel. It’s thought to be William de Walton who endowed the church with land and died around 1344. I particularly like the inclusion of the faithful dog watching over his master in death.

One man & his dog – William de Walton’s effigy

The church has several other monuments, including most famously, that of Samuel Johnson’s mother, father and brother.

Back outside in the churchyard,  a woman approached me and asked ‘Are you thinking the same as me?’. Actually I wasn’t, because whilst I was thinking about missing bones, the woman was thinking about missing apples. Apparently in previous years, rich windfall pickings were to be had from the trees growing alongside the footpath. This year it was hard to spot a single fruit.

Peals but no peel

One thing I read in the history booklet, which I’d love to hear people’s thoughts on,  is that around the year 2000, a pump was installed to keep the crypt from flooding. I read in an archaeology report that ‘St Michael’s is a low hill with natural springs’. Could this have anything to do with the flooding?  I’ll explore this ancient burial ground in a post of its own. In the meantime, perhaps we could get the University of Leicester involved in a hunt for William de Walton and the Marquis of Donegal. They seem quite good at that sort of thing…..

Part of the 9 acres making up St Michael’s churchyard

Sources:

St Michael’s Church. Lichfield – A Short History by Rev Carpenter 1947

A short account of the city and close of Lichfield – Thomas George Lomax, John Chappel Woodhouse & William Newling

Archaeological Desktop Survey OSA Report No. OSAO6DTO2 (Onsite Archaeology January 2006)

Bell Vista

A while ago, I wrote about the architect Thomas Johnson and how he had been involved in the restoration of the church of St Michael on Greenhill in 1842/3. In the newspaper archive, I found a report of a meeting of parishioners held at the church, prior to these restoration works.

The article is a bit blurry and hard to read but after much squinting it seems that there was concern that the church was at risk of ‘being reduced to ruins’ and that the churchwardens had appointed Mr Johnson to assess the extent of the dilapidations.  His diagnosis was that the roof, ceiling, spire and a portion of the walls were so unsafe that a large sum of money would be needed to keep up the building. The parishioners expressed their surprise at how bad the situation was. To illustrate just how bad things had got, it was revealed that rabbits had managed to get into the mausoleum of the Marquis of Donegal (he of Fisherwick) and were breeding in the coffins. The outcome was that the land owning parishioners agreed to increase their rates to pay for the necessary work which according to the County History included

 “the reroofing of the nave, the repair of the side aisles and the nave clerestory, the reintroduction of Perpendicular windows in the north aisle, the rebuilding of the north porch, and the remodelling of the south aisle with new buttresses and a south door in place of a window. The gallery was removed. The mausoleum and the vestry room were replaced by a stokehold over which a clergy vestry was built with doors into the chancel and the south aisle; an organ loft was built over the vestry”.

St Michael’s above Stowe Pool

I have never been into the church myself. However, I notice via facebook that the church will be open for viewing tomorrow (between 3pm & 5.30pm) during the launch of the Bell Restoration Fund. You can find out more on their facebook page here and you can read the great article Annette Rubery wrote about the fund here.

The church is of course featured on the ward banner for this part of Lichfield (along with what I had assumed was the Greenhill Bower House, although looking at it again now I’m not so sure…)

Although I’ve never been inside the church, I have been to the churchyard. With claims on Wikipedia that it could be a Mercian tribal necropolis, the site of one of the earliest settlements in Lichfield or the burial place of followers of St Amphibalus, it certainly merits a post of its own one day!

Steps leading up to the churchyard

Edit: I’ve just been thinking about the building on the ward flag, below the church. Could it in fact be the gateway to the old Lichfield Union Workhouse (subsequently St Michael’s Hospital).

Sources:

Lichfield Mercury Archive

Lichfield: Churches’, A History of the County of Stafford: Volume 14: Lichfield (1990), pp. 134-155

 

Fools & Hobby Horses

The Abbots Bromley Horn Dance takes place each year on Wakes Monday (the first Monday following the first Sunday after 4th September), which means that this year it will be on 10th September.

As far as I can gather, the horn dance is one of those traditions where no-one is quite sure what it’s all about. There are six dancers carrying reindeer antlers, a fool, a hobby horse, Maid Marian, a boy with a bow and arrow, an accordion player & a triangle player. The horns are collected from the church of St Nicholas at 8am and are returned 12 hours later after the participants have danced around the village and out to Blithfield Hall. According to the horn dance of Abbots Bromley website, when one of the horns was damaged in 1976, a piece was sent to be carbon dated. It was found to date back to 1065 (plus or minus 80 years) although the general consensus is that this doesn’t really help to date the dance itself.

I’m ashamed to say that every year I’ve planned to go and watch the dance, but haven’t made it for one reason or another. I have been to the village on several non-horn dance occasions though and it is a lovely place.  However, Mr J Carver, in his 1779 book ‘The Universal Traveller’ wasn’t impressed , saying,

It stands at the distance of a hundred and twenty eight miles from London but contains nothing worthy of note

(Lichfield fares a little better. In Mr Carver’s opinion, ‘It is a long, straggling place but has some handsome houses’).

Walking through the village, to my 21st century eyes, practically every building looks worthy of note. Amongst many others, there’s the Butter Cross (or Burger Cross as a practical joker would have it in 2002), the Goat’s Head Inn (which is thought to date back to the early 1600s, with possibly even older cellars and of course, a secret passage story!) and Almshouses (above the doors are the Bagot family arms and the inscription Deo et Igenis DDD Lamberius Bagot Arm Anno 1705).

The Butter Cross, The Goats Head Inn & St Nicholas Church

View of St Nicholas, where the horns are displayed throughout the year.

Church of St Nicholas, from the High St

Almshouses

A couple of years ago the BBC made a programme about folk dancing in England and you can see the clip about the horn dance here. There are also some photographs of the tradition taking place in the 1930s here on the Staffordshire Past Track website.

I believe that the horns never leave the parish boundary (when not in use they are stored in the church of St Nicholas) although the dance can be performed elsewhere (another set of antlers is used on these occasions). I’ve also just discovered that this year the third annual Abbots Bromliad will take place in California, where they are hoping to beat their own record for most people dancing the horn dance at once (144 in 2010). You can even order your own set of acrylic antlers for $20 to help you feel the part! Hmmm, I wonder what the postage & packaging would be to get a pair sent to Lichfield….and would they get here in time to wear on the 10th September?

Seriously, we’re lucky to live so near to a place where one of the country’s best known (and possibly one of the oldest) traditions takes place and I really must make an effort to go this year to see it for myself.

 

Another Johnson

Davidson House on Upper St John St was once home to another Johnson from Lichfield. Thomas Johnson, an architect lived here from 1834 and ran his business, Johnson & Son from here until his death in 1853. I understand that Thomas Johnson jnr went on to work with James Trubshaw, and married his eldest daughter.

 

Although people might not have heard of Johnson and Son they will probably know some of the buildings they were involved with. Below are some examples of their Lichfield work, and it seems that they also worked on buildings further afield.

Christ Church, circa 1850 (from wikipedia)

Corn Exchange Lichfield (from LDC flickr stream)

The Old Grammar School, C18 rear
wing, school room and front wall of c1849, by Thomas Johnson
and Son of Lichfield

Back to Davidson House and I’ve read that it was the home of the South Staffordshire Regiment Old Comrades Association and the South Staffordshire Regiment Museum collection from 1938 until 1963, when it was moved to its current site at Whittington. The name ‘Davidson House’ apparently relates to  Brigadier-General Charles Steer Davidson who donated the property to the regiment.

As ever, plenty of questions. Did the Johnsons employ local people? What about the rest of the family? Where did their materials come from? Who was it built for originally.  Who owned the house between the Johnsons and the Brigadier-General? Who was Charles Steer Davidson? What happened when the museum left and what is the future for it? It looks like it needs a bit of TLC right now, with its boarded up windows and crumbling stonework. There’s a book ‘Staffordshire and the Gothic Revival’ by Michael J Fisher that I’d like to have a look at to find out more about the Johnsons and their contemporaries.

There’s still plenty more to find out about Davidson House and its inhabitants but I like how by finding out a little about one Lichfield building,  I’ve found out more about some of the others too. And they just happen to be some of my favourites!

Sources:

http://www.britishlistedbuildings.co.uk

http://staffordshireregimentmuseum.com/