Impressive

Last month, Lily Flintham re-discovered two boxes full of tiles being stored in one of the old gaol cells at Lichfield Guildhall. After carrying out research at Lichfield Record Office, her suspicions that these were some of the medieval tiles which once paved the floor of Lichfield’s Franciscan Friary were confirmed.  Over to Lily to tell us what happened next….

“I met up with Jo Wilson Museums, Heritage Officer at Lichfield City Council  and Karen Slade, Medieval Tile Expert at the Guildhall Gaol Cells on the 3rd March 2015, to take another look at the tiles, and to try and get some better photos.

tiles a

While we were waiting for Karen, me, Jo and my Mom started laying out all the tiles on the tables, we started taking some photos. Then Karen arrived, and showed us some tiles that she had made, to give us an idea of what they would have looked like originally. Her tiles were really bright, and I was amazed at how vivid they looked.

tiles b

Karen explained that she had found a few of the tiles we found mentioned in reference books and that they had been found at Much Wenlock, Polesworth and the tile with the Fleur de Lys which has a ‘special squiggle’ on it had been recorded at Lichfield Friary and Karen had also seen a photo of it taken at Lichfield Cathedral Library. Karen had even searched all the tiles held at the British Museum to look for the patterns too. Some of the patterns she still could not find, maybe they only existed at the Lichfield Friary?

Fleur de Lys special squiggle

tiles c

She also explained how the tiles were made, most of the square ones would have been made in moulds, and then had a pattern stamped on them, they were called line impressed tiles. And the circular pizza shaped tiles would have been cut by hand, and not in a mould. I learnt sooooooo much over the four hours we were there about how they were made, glazed and fired.

Pizza tiles original pattern

Some of the tiles were still really dirty, even after we had brushed all the dirt and dust off them a few weeks before, so we used a tiny bit of deionised water and cotton pads to clean some of them, like Karen’s husband (who works in building conservation) would do, to get a better look at the patterns.

Cleaning tiles

On two of the tiles we found a few more detailed patterns on them, and a different one, made no sense to us at all, it had worn away too much, the pattern was still just the same as when we first looked at it.

I helped Jo to start recording and archiving the tiles, by putting them in bags, and numbering them. There were 92 tiles (and fragments of tiles) all in all!

tiles g

Before we had to go, Karen showed us how to make a tile, she used a wooden mould, and then put the clay in, then scraped the extra clay off.

tiles f

Next she stamped the pattern on with a block of wood with the pattern carved into it.

tile pre stamp

post stamp

Then she poured white slip into a cow’s horn with a goose feather in the tip, and dripped the slip into the impression on the tile.

karen applying slip

Then I got to have a go :)

tiles l

I had a really fun time :D”

I think it’s worth emphasising that it’s only thanks to Lily’s curiosity and perseverance, that two boxes of old tiles have gone from obscurity in Lichfield to potentially being of national interest and importance. Just shows that you shouldn’t always listen to the grown-ups kids.  Although Lily found an amazing ninety two complete and partial tiles, we suspect there may be even more out there. We know from a Lichfield Mercury article dated 22nd September 1933, that during Cllr Thomas Moseley’s excavation of the Friary Church,

“Many broken floor tiles were found but in the passage (probably Cloister) leading from the Chancel to the Friary, the tiles were still in position about two feet square. People commenced to take them as souvenirs, and they had to be removed.”

If you’ve looked at the photographs and thought ‘Hmmm, I’m using something similar to that as a garden ornament/door stop/drinks’ coaster’, then please do let us know.

 

Lily’s Medieval Jigsaw Puzzle

Recently, twelve year old Lily made a very interesting discovery in Lichfield. Here’s her account of how the contents of a cardboard box found in an old gaol cell turned out to be far more exciting than than anyone could have imagined….

“In November 2014, I went to the Lichfield Gaol Cells in the Guildhall. It was a Lichfield Discovered event, and we were going to look and see if we could find any graffiti, names, or dates on the gaol cell doors. About 7 or 8 of us came to the event all in all, I came with my Dad. Everyone else managed to find lots of writing and names on the doors, I didn’t find much. Near the end of the session, we were looking inside the third jail cell, the one that is not normally open to the public. My Dad pointed out 2 boxes of old looking tiles on the floor, we took a quick look, but we didn’t pay much attention to them.

Tiles 1

Tiles in cardboard boxes in gaol cell now used for storage

The next time we came to the gaol cells was on 21st February, we had come back to see if there was any more graffiti that we had missed, also to take a second look at the boxes of tiles (Jo at the museum said it was ok). This time I had come with my Mom and there was around 8 people that turned up this time. Me and my Mom started looking through the tiles, we had picked about 5 up and we laid them on a chair to photograph them, but they werereally dusty so we couldn’t see if there were any other patterns on them.

There were so many tiles that we couldn’t fit any more on, we decided to move all of the tiles into the 4th cell, onto a wooden bed that the prisoners used to sleep in, (personally I would NEVER think of sleeping on one of them). We started taking some more tiles out of the box and moving them onto the bed. We moved them a few at a time, because the box was too heavy to lift. I had realised that there were a few tiles with the same pattern on. I really wanted to get a better look at what the patterns looked like, so my mom went to Wilko (just up the road) to buy 2 paintbrushes. When she got back we started brushing off the dust and dirt from the tiles we had got out, we could see the patterns a lot clearer. We had nearly finished emptying out the first box of tiles, and at the bottom my Mom found a bit of tile with ‘Lichfield Friary’ written on the back. She showed it to Kate and she said “Maybe it came from the old Friary!” and then we all got really excited!

tiles 2

Tile with Lichfield Friary writing on the back

We had found lots of bone shaped tiles that were exactly like the one that said ‘Lichfield Friary’ on it.

Tiles 3

“Bone” shaped tiles

Whatever the floor was, it was really big. We had found LOADS of tiles that looked the same, and maybe they belonged to the same floor. I started trying to see if any of the tiles might fit together, there were loads of circular tiles, some with patterns on, and some without. There was one round tile, with a triangle and circles intertwined in a pattern. There were also pizza shaped tiles, without a tip, like someone had taken a pizza and cut the middle out with a cookie cutter, if you get what I mean. Those tiles had a kind of moon, with a starfish shape in the middle.

Tiles 4

Circular “pizza” tiles with moon and star pattern

tiles 5

Plain “pizza” tiles

We had found one of these tiles that was complete and one that was broken, but fitted back together again. All the rest were broken, but I managed to get a full circle out of the fragments we had found. It was like a massive jigsaw-puzzle, but I did it in the end, and what was even more exciting, was that the circular tile fit perfectly inside the ring of pizza shaped tiles! Same with the tiles with no pattern on, but we didn’t find another circular tile.

There was also another set of tiles. We had found about 8-10 of the same type, they were square, and they all had the same pattern on, the kind that can make 2 different types of patterns, depending on which way you put them.

Tiles 6

Square tiles with pattern – my faves :)

Most of them were complete, apart from 3-4 of them which we only had corners of. I put them together, and they nearly made a 9 square pattern. These were my favourite tiles, and I hoped we found some more of them, we only had half a box or so left to get out. We did find a couple more of these tiles eventually. We finished emptying out the box, and then we started taking pictures of all the tiles. There wasn’t much time left, so we took all of the photos really quickly. As a result, not many of the pictures were very good. And the light was quite dim in the cells, so the light wasn’t the best either.

It was nearing the end of the session, so we had to put all of the tiles back in the boxes. I couldn’t help thinking that the tiles were from the old medieval Friary. At least some of them.

Kate asked me if I could do some research to see if the tiles were from the Friary, Me and my Mom went to the Lichfield Records Office, to go and look at ‘The Lichfield Friary’ by P. Laithwaite, which was reprinted from the Transactions of the Birmingham Archaeological Society where a report of Councillor T. Moseley’s findings from his exploration of the site in 1933 was given.

Laithwaite BAS 1934

D77/23/67 Copyright Lichfield Record Office

There were only 6 pages in the book. Page 5 had a drawing of some if the exact tiles we had found (the ones that looked like pizzas with the middle cut out) some with patterns, and some without.

EPSON scanner image

D77/23/67 The Lichfield Friary by P.Laithwaite Copyright Lichfield Records Office

Me and my mom were like O-O (AMAZED!). On the next page (page 6) there was a drawing on 3 tiles with different patterns on, all of which we had found in the box of tiles! :D (and my favourite one, the one that we had got like a 9 block square of the floor.)

EPSON scanner image

D77/23/67 Drawing of square tiles from The Lichfield Friary by P.Laithwaite Copyright Lichfield Records Office

We had found what we had come looking for, proof that the tiles in the boxes were Medieval from The Grey Friars’ Church at The Friary!”

Note – this is not where the story ends! Lily is having an afternoon on the tiles with Jo Wilson, Lichfield City Council Museum and Heritage Officer and medieval tiles expert, Karen Slade this week, so look out for an update soon. Lily’s doing such a great job – the initial discovery, the ongoing research, and writing it all up afterwards – that I’m thinking of joining the Right Revd Jonathan Gledhill in retirement and leaving Lichfield Lore in her more than capable young hands.

 

Water Slides

Ross Parish has been researching holy wells since the 1980s and has published several books on the subject.  Ross is currently working on a Staffordshire volume and a couple of weeks back, we were delighted to have him at our Lichfield Discovered meeting to share his research with us. Ross took us through the history of holy wells, and some of the customs associated with them, pouring cold water on some of the popular views that have sprung up around them. At the risk of firing up inter-county rivalry, you’ve heard the saying ‘The best bits of Derbyshire are in Staffordshire’?. Well, Staffordshire is also a bit hard done by when it comes to the tradition of well dressing. Google it and you’ll find claims aplenty that it’s ‘unique to Derbyshire’. Try telling the people of Endon and Mayfield that. Interestingly, we also went through a phase of decorating St Chad’s well here in Lichfield for a time, but this tradition seems to have dried up in 2010.

St Chad's Well Lichfield,  only decorated by nature these days.

St Chad’s Well Lichfield, only decorated by nature these days.

With so many fascinating sites to chose from,  we forgave Ross for not including St Chad’s in his top ten list of Staffordshire wells. You can discover the ones that did make it, along with an abundance of other fascinating information, on the slides of the talk that Ross has very kindly shared with us online here.

If you’ve a thirst to know more about holy wells and sacred springs, here in Staffordshire and further afield, please do check out Ross’ blog here and also take a look at the Facebook group he’s involved in here.

 

Cell Mates

The Lichfield Discovered gang will be back at the old Gaol Cells at Lichfield Guildhall this coming Saturday (21st February 2015) between 2pm and 4pm, to resume our quest to record the graffiti left behind by prisoners. There’s plenty of it, but we’re up against the ravages of time and liberal applications of varnish. We did manage to pick up one definite name on our last visit. John Lafferty who, judging by the reports in the Lichfield Mercury, appears to have been a serial offender from Sandford St in the late nineteenth century, scratched his name into one of the cell doors along with the words ’7 days’, presumably the length of his stay…on that occasion.

Gaol Graffiti 1

Lafferty graffiti

The cells officially reopen to the public in April, and will then be open every Saturday between 10am and 4pm until September.  Since 2012, over 7,000 people have visited and in order to continue to be able to give people access to this part of Lichfield’s history, Joanne Wilson, the city’s Museum and Heritage Officer, is recruiting a team of volunteers to welcome visitors to the cells, keep a record of visitor numbers, answer questions and provide information. You don’t need any previous experience just an interest in heritage, enthusiasm and the ability to smile when you hear, ‘You’re not going to lock us in, are you?’ for the twenty-seventh time that day. Each volunteer session usually lasts around three hours, but dates and times are flexible and you can do as much or as little as you are able to. It’s a great opportunity to get involved in the city’s history and to share it with all kinds of people – I volunteered a couple of years ago and welcomed local people, wedding guests, day trippers, and even someone who’d worked at the Guildhall for years without realising what was behind the red door at the end of the corridor.

Fifty shades of varnish

If you would like to know more about volunteering, please contact Joanne on 01543 264 972 or via email at sjmuseum@lichfield.gov.uk. Alternatively, pop into the Samuel Johnson Birthplace Museum on Breadmarket St. You are also very welcome to join us on Saturday. And yes, we promise not to lock you in.

 

My Bloody Valentine

For those of you who aren’t feeling the love for Valentines Day, here’s some black magic. And I’m not talking chocolates. In his Lichfield Mercury column ‘Historical Gleanings – Lichfield Over a Century Ago’, JW Jackson recalled the following article in a local paper from 1836,

“On Saturday, the sexton of a certain church observing an elegantly dressed female walking mysteriously up and down the churchyard, watched her secretly, when he saw her rake up the earth with her foot and, after depositing something in the ground, cover it up. Induced by curiosity he opened up the place and found a hare’s heart in which 365 pins were stuck buried there. It was an old superstition in this county that if a person who had been foresaken by one professing love for her shall bury a hare’s heart full of pins near a newly made grave in the churchyard, as the heart decays, so the health of the faithless swain will decline, and that he will die when it has mouldered to dust. The fair deceived one had been instigated by revenge to this act of folly and credulity.”

 

Getting revenge on a faithless swain. Sweeter than a whole box of Thorntons. Frederick William Hackwood also mentions a similar practice in his Mercury column on “Staffordshire Superstitions’ (1923), ‘Among the lingering superstitions are present-day memories of an old woman given to witchcraft sticking a bullock’s heart full of pins with the vicious intent of piercing the heart of some deadly enemy with whom she had quarrelled beyond all hopes of forgiveness or reconciliation”.

Luckily, a defence against these dark arts did exist.  In a book published by the Folklore Society in 1890, Alexander M McAldowie tells of two witch brooches which his brother Robert found in Staffordshire.   One was discussed in a section of the 1896 Journal of the British Archaeological Society called ‘Notes on North Staffordshire’ and is described as being heart-shaped with unequal sides, little more than an inch in height and made of silver with eighteen crystals. Apparently, these talismans were often bought alongside wedding rings and would keep the wearer safe from harm. In a post on witch brooches, the Spyders of Burslem blog includes the notes given to the North Staffordshire Field Club in 1891 by Robert McAldowie. What’s extra interesting for us here is that he mentions a witch brooch he got in Lichfield from a jeweller who had bought two of them from an old servant of a family once living near the city but had melted one down for silver.

I’ve not managed to track down the whereabouts of any the Staffordshire brooches yet, assuming they even still exist. There is a Victorian one for sale on a vintage site here if you want a belated present that looks pretty and has the added bonus of protecting your beloved from witches and evil in general.

Antique Victorian Witch Brooch. Image from rubylane.com

Antique Victorian Witch Brooch. Image from rubylane.com

However, if it’s a hare’s or bullock’s heart you’re after, I’m afraid I can’t help you. Try Waitrose.

Sites for Sore Eyes

Springs and wells are sources not only of water but also of folklore and legend. There are healing springs and fortune telling wells. Some are associated with saints, others with spirits.

St Chad's in Lichfield. Photo by Lichwheeld

St Chad’s in Lichfield was believed to cure sore eyes (photo by Lichwheeld)

On Monday 9th February, Ross Parish, author of the Holy and Healing Wells blog and a series of books on the subject, will be giving a talk to our Lichfield Discovered group. Ross will be telling us about some of the sites we have here in Staffordshire and some of the traditions and stories associated with them. The talk starts at 7.30pm at St Mary’s in the Market Square (where there was a once a well of the same name at the west end!) and there is no entry charge, although voluntary donations towards the running of St Mary’s are always welcome. After the talk, people are invited to stay behind to discuss the future vision of the county’s archive and heritage service, over a cup of Staffordshire water (plus milk and teabag).

Two Minutes of Your Time

Whether you’re Dimbles born and bred or a Katie-come-lately like me, everyone who has ever called Lichfield home is a part of the city and its history. A new project, led by artist and sculptor Peter Walker, wants to hear from you about what it’s like growing up, living and working here.

The aim of the project is to collect two minute long stories and anecdotes, and/or related photographs.  These will then be combined with archive images of the city to create a present day digital record of Lichfield and the surrounding district, as told through the voices of local people. The project began in Burntwood, where hundreds of images and stories have already been collected from people from all different backgrounds, and is part of a wider art project. As Peter explained in his email,

“We believe it is significant that we make a record of what it was like to grow up in the area from the community’s point of view.  There are many shared memories alongside individual successes that deserve to be recorded for posterity. Your story may be for example, the day you first went to school, winning a trophy for your local team, or simply memories of buildings and shops or people you knew. If you don’t wish to be recorded or bring a picture then you can still come along and write an anonymous postcard with information relating to your memory, to give to the collection to tell your story. Images and stories collected will be turned into digital formats and displayed on-line, with some being made into a short digital film and all stories will be archived as a digital time capsule.”

If you want to contribute, there are sessions at Lichfield Library on 5th and 6th of February 2015 between 10.30am to 1pm and 2pm to 4pm. Like Lichfield itself, it’ll be what you make it.

Day to day life in Lichfield

Day to day life in Lichfield, Summer 2014

Brideshand Revisited

Last Summer, I wrote about the ‘Bride’s Hand’ carved into the stonework of the south porch of St James the Great at Longdon. It’s an old tradition that brides arriving at the church would place their own hand against it, in the hope that it would bring good fortune and fertility to their impending marriage. Apparently, some twenty-first century Longdon brides-to-be still partake in this ritual.

The 'Bride's Hand' Carving, St James the Great, Longdon

The ‘Bride’s Hand’ Carving, St James the Great, Longdon

Yesterday, I was idly scrolling through Twitter when two hands, similar to the one at Longdon, grabbed my attention. The image had been taken from Timothy Easton’s article on symbols which appears in the Winter edition of the Society for the Preservation of Ancient Buildings‘ magazine (1), and the carvings themselves are to be found on the south doors of two churches in the neighbouring Gloucestershire villages of Ampney St Mary and Ampney Crucis.  Until now, I wasn’t sure whether the Bride’s Hand was just a quirky bit of history unique to Longdon but the appearance of similar symbolism, in a similar position, at churches one hundred miles south of here suggests not. Timothy Easton believes that the carvings were added to send a very definite ‘Stop!’ sign to any evil spirits attempting to sneak inside.

South porch of St James, Longdon where the carving can be found.

South porch of St James, Longdon where the carving can be found.

As anyone who follows the Medieval Graffiti project will know, these hands are just one of the many types of markings that can be found in our churches. Some were an attempt to ward off evil spirits and no doubt some were an attempt to ward off boredom. St James the Great may be filled with beautiful carvings but I can’t help being drawn to these ones that aren’t really supposed to be there. For me, a crudely etched protective symbol and Joseph Nevill’s graffiti trump the Forster family’s weeping cherubs and marble tombs. Hands down.

Longdon graffiti

Graffiti at St James the Great, Longdon

Longdon carvings

The Stoneywell Chapel, used as a private chapel between 1520 and 1944, by families including the Ormes and the Forsters, former owners of nearby Hanch Hall

Longdon graffiti 2

Graffiti at St James the Great, Longdon

The tomb of John Forster, Hanch Hall

The tomb of John Forster, Hanch Hall

(1) Which their press officer very kindly sent to me after I sent an excited tweet telling them I’d seen one just like that.

Bit Map

Here’s a map of the Christ Church Lane area of Leomansley in Lichfield which Chris Pattison very kindly sent to me recently. The map is dated 1935 and as with everywhere, some things have changed (including the spelling of the name), whilst others have stayed the same.

South Staffordshire Waterworks Company map of Leomansley. Thanks to Chris Pattison

South Staffordshire Waterworks Company map of Leomansley. Thanks to Chris Pattison

Yet, all is not what it seems.  Christ Church school is shown in its original location, yet in 1910 it was rebuilt on the opposite side of the road. As someone else pointed out to me, the row of terraced houses known as Leomansley Villas was built in 1903 and so they should also appear but don’t. Another curious omission is the cottage near to the gates of Christ Church.  This dates back to at least August 1875, as there are documents at Lichfield Record Office which show it was used as the residence of the schoolmaster or mistress of Christ Church school (who of course had to be ‘competent, of good character and a member of the Church of England’) at the time. Prior to this, it was a lodge for Beacon House (or Place) in what is now Beacon Park.

The Cottage, Christ Church, Lichfield

The Cottage, Christ Church, Lichfield

The obvious answer is that this plan was drawn in 1935 but was based on a much older map. However, whilst this would explain most of the ‘errors’, it doesn’t account for all of them.

A group of buildings on the far left of the map are labelled ‘Leomansley Mill’, yet I’m sure that this is actually Leomansley Mill Farm. The mill itself, disused and dismantled by 1860, stood somewhere near the site marked as ‘Leamonsley Cottages’ (now known as ‘Leomansley Manor’).

Token for Leomansley Mill taken from Lichfield District Council flickr stream.

Token for Leomansley Mill c.1815 taken from Lichfield District Council Flickr stream.

Errors aside, it still gives us a glimpse of when all this were fields. Well, when a lot of it was anyway. If anyone’s interested in exploring the history of Leomansley further, there are some notes to accompany a walk around the area which I produced a couple of years back which you can access here.

The Mortal City

After reading that an inquest into a young boy’s death from drowning in the nearby canal at Sandfields in 1884 had been held at the Three Tuns Inn on the Walsall Road, I wanted to know more about the use of pubs in these circumstances.

The Three Tuns Inn, Walsall Rd, Lichfield, formerly Panache Restaurant & currently being developed

I had a look at the newspaper archive and found another report in the Lichfield Mercury, this time from December 1885, regarding the death of a soldier who had been found in the Birmingham Canal near Quarry Lodge. After being discovered, the body was taken to the Shoulder of Mutton in a cart on a Monday afternoon, where it was examined by Brigade Surgeon G Simon M.D. The following evening Mr C Simpson, the City Coroner, held an inquest into the death where a verdict of ‘drowned’ was returned by the jury.

I understand that this was how things were done all across the country. I think I’m right in saying that until the Public Health Act of 1875, there were no public mortuaries and in the event of a sudden or unnatural death, inquests were held at a nearby public building, often an inn or public house. If a body was discovered outdoors, the pub would also become a temporary mortuary.

On Google books, I found a document from 1840 detailing Coroners’ Reports for England and Wales. The Lichfield Coroner at the time, Mr Simpson, submitted a return giving the number of inquests held in Lichfield in each of the years between 1834 and 1839, together with a schedule of allowances and disbursements to be paid by the Coroner, as follows:

To the bailiff of the court for summoning the jury and witnesses attendances on the coroner and at the inquest: 5 shilling
To the witnesses not exceeding per day (besides travelling expenses): 3 shilling
For the jury, each juror: 1 shilling
For the use of the room: 5 shilling

The returns submitted by Coroners vary from place to place in the amount of detail included. For example, the return for Ripon outlines further payments made, including 5 shillings paid per day, ‘to expenses of room and trouble, where dead body is deposited till inquest held’, and ‘to the crier of any township for crying when body found and not known’. The return of Mr H Smith, the Coroner for Walsall, gives names of the deceased and the dates on which the inquests were held. In Leicester, John Gregory recorded the number of inquests in the four years ending August 1839 and added an explanatory note that the increase in inquests in the last year was mostly due to accidents occurring in the formation of the Midlands County Railway through the county. In a handful of towns, the Coroner also recorded the verdict (e.g. accidental, visitation of God, wilful murder) of the inquest. It doesn’t make for pleasant reading, but it’s a fascinating and important document for local or family historians.

By the late nineteenth century, things began to change. As previously mentioned, the Public Health Act 1875 gave permission for local authorities to provide public mortuaries and in the early twentieth century, The Licensing Act of 1902 stated that:

From and after the thirty-first day of March one thousand
nine hundred and seven, no meeting of justices in petty or special
sessions shall be held in premises licensed for the sale of intoxicating
liquors, or in any room, whether licensed or not, in any
building licensed for the sale of intoxicating liquors ; nor shall
any coroner’s inquest be held on such licensed premises where
other suitable premises have been provided for such inquest.

Yet at this time in Lichfield, there was no suitable premises, as can be seen from a further report in the Lichfield Mercury on 24th April 1903, regarding an inquest into the death of a woman in Old Sandford St.  The inquest was held at the nearby Hen and Chickens pub, although the post mortem was carried out by Dr F M Rowland at the deceased’s address, as her body had been discovered at home in bed. At the inquest, the coroner, S W Morgan commented on the situation, stating that it was a case that should have been taken to a mortuary. The room was nine or ten feet square, with a window right down to the floor. The double bed in the room had to be taken out and a table brought in. All of the utensils had to be borrowed, as there was nothing in the house that could be used. The Foreman of the Jury, a Mr Cooney, was reported as saying it was ‘disgraceful’. He considered it a scandal that there wasn’t a mortuary, though he was under the impression that one had been built in the city over at the council property on Stowe Street. With the rest of the jury sounding their agreement, the Coroner added,

“I called the attention of the council to this matter…12 or 18 months ago, when a recommendation was passed by a Jury. It is astonishing that the City of Lichfield does not possess a mortuary, when one takes into consideration the fact that there are two stations in the place, and how frequently people meet with fatal accidents on the railway. It is most unfair that publicans should be called upon to take in these cases, and it is unfair to ask them to do it. Suppose a tramp happened to die, whilst passing through the town, that man, unless some kind publican happened to take him would have to be hawked around from public house to public house, until someone consented to take the body. It is simply a scandal and a disgrace that such a state of things should exist especially when a mortuary could be built at a small cost”.

Dr Rowland added that there had been plans for a mortuary, but they had been shelved, to which the Coroner replied, ‘It is not fair to the medical gentlemen to ask them to make the post-mortem examination under such conditions’. The Jury recorded a verdict of ‘Death from Natural Causes’, and added to it a rider calling on the City Council to proceed with the erection of a mortuary.

In May 1903, the body of a man was found on the railway line at Shortbutts Lane. The Duke of Wellington refused to admit the body, but the landlord of the Marquis of Anglesey allowed his stable to be used. The Coroner commented that it was as if the fates were conspiring to emphasise the need for a public mortuary in Lichfield. By June that year, plans to convert one of the storerooms at the Stowe Street Depot had been put forward amidst concerns by some members of the council that a scheme to erect a purpose built mortuary in the city was too costly. By August, discussions over the expense were continuing. Councillor Johnson claimed he was in favour of a mortuary but not wasting money on it. Councillor Raby replied by saying that the City had been brought into oppobrium enough through not having a mortuary, and that ‘the ghost of obstruction which Mr Johnson had conjured up should be buried’.

Finally, in November 1903, the Surveyor reported that the Stowe Street mortuary had been completed at a cost of £48 9s 5d. Exactly a year later, the City Council’s attention was drawn to the fact that dead bodies covered in sheets could be seen from Stowe Pool Walk. It was agreed that a blind should be installed and lowered when the mortuary was occupied, an almost symbolic drawing of the veil between those living in this world and those who had joined the next. Death in Lichfield was no longer in the public eye.